American


Dust Storm
$1250.00
1896-1970, American

C. 1941. An early study for the well-known lithograph of the same name. The lithograph was an advertisement for Purlator Oil Filters in the 1941 Saturday Evening Post. Charcoal and ink on paper. Signed "Rob" in the lower right. Image size 10 1/2 x 10 1/2 inches on 12 x 12 inch medium weight wove type paper. An incredibly sharp drawing with dramatic chiaroscuro.


Wirehaired Fox Terrier
20th century, American

The blue background paper measures 9 1/4 x 12 1/4 inches. Signed in the lower left. The artist's choice of pastel was ideal for capturing the texture of this unique animal!


Cypress Tree

Watercolor on chine colle. Image measures 8 3/4 x 6 1/2 inches in a 16 1/2 x 14 3/4 inch ornate gold frame. Unsigned.


Seated Mother and Child
1863-1946, American

Brown chalk drawing C. 1900. Signed and dated in chalk in the lower left. On 12 1/4 x 9 1/2 inch medium weight laid type paper. The artist has accurately captured the subject with very few lines.


noImage
1909-1973, American

This dark and atmospheric watercolor by Philadelphia artist Joseph Arcier measures 10 3/4 x 15 inches on heavy weight watercolor paper. Signed in the lower left.


Autumn Hills
20th Cent., American

This delightfully vibrant watercolor painting measures 10 1/4 x 14 1/2 inches on heavy weight textured watercolor paper. Signed in the lower left.


Winter Landscape
1872- c.1950, American

A fine image of the Monadnock Region in mid winter, watercolor on paper, 12 x 16 inches, 1933, pencil signed and dated.


Walden
1870-1959, American

Watercolor, image size 9 1/8 x 5 1/2 inches, signed l.r. "J. Watson Davis", publishers remarks are below image in pencil(not seen) and are taken from Henry David Thoreau's book "Walden" from the chapter "The Bean field" and read "I cherish them, I hoe them (early and late), I have an eye to them (and this is my) days work".


The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.


The Long Lane
20th c., American

Watercolor on paper, 4 1/2 x 5 3/8 inches, monogrammed lower left. Housed in its original frame. The original display label on the back lists the artist, the title and the artist's address of "30 Park Place, Pawtucket," Rhode Island.

Painting

Spring Meadow

Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, in the style of Alexander Wyant, in a period gilt frame.

Print

La Petite Table
1886-1972, French

Color lithograph, image size 8 3/8 x 5 7/8 inches, c. 1930s, edition of 43, pencil signed and numbered.

Drawing

Summer Meadow
1872- c.1950, American

"Summer Meadow" by Dexter Dawes measures 12 x 9 inches. Dawes summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs, drawings and paintings. He belonged to a number of associations including the National Arts Club.