Watercolor, image size 17 x 11 inches, pencil signed
Watercolor, image size 6 x 8 1/2 inches. McAuliffe was active in the late 19th century and produced public works especially in Everett, Mass: Roman Catholic Cathedral, St John's; Parlin Library. His specialties were maritime and religious subjects.
Watercolor 10 3/8 x 15 3/8 inches, signed "G. Sheffield" l.l., sepia on paperboard.
Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left
Watercolor, image size 14 1/4 x 18 1/4 inches, laid down on board, unsigned but identification of location on back in French which indicates it's Cascade Flumen near Saint Claude, a small town in France.
Watercolor on paper, image size 14 1/4 x 18 1/4 inches, laid down on board, unsigned but information on back in French denotes location.
This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.
Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.
Watercolor on paper, 4 1/2 x 5 3/8 inches, monogrammed lower left. Housed in its original frame. The original display label on the back lists the artist, the title and the artist's address of "30 Park Place, Pawtucket," Rhode Island.
Watercolor on paper, 3 3/8 x 4 5/8 inches, signed in ink lower left. Housed in a period frame, possibly original to the painting, but recently rematted with archival materials. An old label on the back gives the title and location and is also signed by the artist.