Featured Artwork

This is an original lithograph, pencil signed by American artist Joseph Pennell.  This work as part of his Panama canal series that he created in 1912.  This image is titled The Cut at Paradiso.  Printed on a Fabiano laid type paper, the image measures 17X20 1/2 inches. on a sheet size of 20X25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image from his Panama Canal series is titled ; The Cut looking toward Ancon Hill.  This lithograph was created and printed in 1912.  The image measures 16 7/8X22 1/8 inches on a Fabiano watermarked laid type sheet which measures overall 20 1/2X25 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  It is from his Panama Canal series, the title of this image is: In the Cut at Las Cascadas, Panama Canal.  It was created and printed in 1912.  The image measures 17 1/2X 22 1/2 inches on a sheet of Fabiano laid type paper which measures 20 1/2X25 1/2 inches.

This is a scarce etching by American artist Joseph Pennell.  The title is Madison Avenue Fraternity House.  It was created and printed in 1923 in an edition of only 30.  The image measures 12 1/4X9 1/4 inches printed on an antique laid type paper.  The etching appears in the Wuerth catalog as image number 818...

This is a fine birds eye view of New York City in 1908.  The title is: The West Street Building from the Singer Building,   It was created and printed in 1908.  The image is pencil signed and titled in the artists hand in the lower border.  The image measures 11X8 3/8 inches.  The image appears in the Wuerth catalog as image number 491.

This is an original hand signed wood block print by Jamaican artist Albert Huie.  The title of this work is Road Mending, created and printed circa mid 1940's.  The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition. 

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom.  The title is: The Crucifixion, created  and printed circa . 1929, it is numbered as 4/30.  The image measures 9 1/2X7 1/4 inches.  Printed on a thin japan type sheet.  Groom was a well known artist and illustrator one of  the Suffolk artists.  She was also a founding member of the English Wood Engraving Society starting in 1926.  Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes  and Agnes Miller Parker 

This is an original engraving by French artist Philippe Mohlitz.  This image is titled: The Abyss.  It was created and printed in 1967.  Pencil signed lower right and numbered as 28/50 lower left.  The image measures 8 1/4X7 1/8 inches.  Printed on a heavy weight laid type sheet.  Mohlitz uses the refined technique of Original engraving, in the traditional manner.  Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.

This is a fine original screen print by American artist Max Arthur Cohn.  The title is: Night Scene, created and printed in 1944.  Hand signed with pen and ink within the image lower right.  The image measures 12X17 1/2 inches.  "Best known as a pioneer in screenprints, Max Arthur Cohn was born to Russian immigrants in London, in 1903, and moved with his family to New York City in 1905. He got his first art-related job creating commercial silkscreens when he was seventeen. Cohn began to experiment with silkscreening on his own and later exhibited his prints in New York City and Washington, D.C., in the 1930s and '40s." (Smithsonian Museum)

This is a rare original etching and drypoint by Scottish artist David Cameron.  The title is: Wingless Chimera, Amiens Cathedral,  it was created and printed in 1911.  Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches.  Printed on a medium weight laid type sheet.  This image was exhibited at the Royal Academy in 1911.  This image appears in the Rinder catalog as image number 416.

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

This is a rare original mezzotint by British artist, Sir Francis Seymour Haden. The title of this work is: "Harlech No II", it was created and printed in 1880. A combination of mezzotint, etching and drypoint, hand signed in pencil lower left border. This image appears in the Schneiderman catalog as image number 197. The image measures 8X11 3/4 inches. This is the V state of V.. This is a rarely seen image by Haden. Richly inked and printed.

A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

Etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

Etching, image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right