Featured Prints

The West Front, Rouen Cathedral

$425.00

This is a very atmospheric etching of the scaffolding and facade of Rouen Cathedral in France. Image size 10 7/8 x 8 3/8 inches, 1907, edition of 90, cat: Wuerth-470, pencil signed "JPennell imp", the 'imp' indicating that Pennell printed this image himself. A richly inked impression with beautiful plate tone.

Westminster Abbey, London

$425.00

This is a remarkable architectural etching by American artist Hopper Emory. Image size 14 7/8 x 11 3/4 inches, c. 1930, edition of 250, pencil signed, with the original label. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.

Cider Press

$425.00

This is a cool diptych woodblock print depicting the process of cider making by American WPA artist Helen West Heller. The image size is 6 1/2 x 11 1/4 inches, 1939, pencil signed, dated and titled. Helen West Heller was primarily a self-taught artist, working several mediums before turning exclusively to linoleum and wood block prints. She was known for her expressive, slightly abstracted images that often incorporated a distinct sense of geometric patterns.

St. Clement Dames

$425.00

This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.

York Minster- West Front

$425.00

A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.

Noon

$400.00

This is an original hand signed lithograph by American artist Georges Schreiber. The title of this work is: "Noon", showing a Farmer stopping for lunch. This lithograph was created and printed in 1939 in an edition of 250, published by Assoicated American Artists in New York. The image measures 9 1/4X13 1/4 inches.

Tintoret's House

$395.00

This is a great architectural etching by Scottish artist D Y Cameron, from his 'North Italian Set'. The image size is 9 3/8 x 4 inches, 1894, no. 6 in the 'North Italian Set', cat: Rinder- 209, pencil signed. According to Rinder, this is a corner of the Palazzo Camello, Fondamenta dei Mori, Venice.

Gardiner's Bay from the Fresh Ponds, Long Island

$395.00

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Black Spruce

$375.00

This very fine original etching by Ernest Haskell features a richly inked impression and exquisitely delicate lines. The image is size 9 7/8 x 7 7/8 inches, it was published in 1912, and is pencil signed, titled in lower margin. This etching was number 125 in the 1916 exhibition of Haskell's work at Art Institute of Chicago. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris. While in Europe he met Whistler and was inspired to take up etching; his style was greatly influenced by the work of Whistler as well as that of Rembrandt, Da Vinci and Durer.

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