Featured Prints

Ghetto

$975.00

This is an original handsigned woodblock print by Latvian-American artist Isac Friedlander. This work is titled: "Ghetto", it was created and printed in 1942. It is a very scarce image by this artist. It was created and printed in 1942. The image measures 9 3/4X10 7/8 inches. pencil signed titled and dated in the lower margin. This image was printed in an edition of only 26 signed proofs.. Isac Friedlander was born in 1890 in Mitau, Latvia. Those were difficult days for a captive people under the czarist yoke, but it was not long before young Isac’s assertive spirit emerged. At sixteen he was arrested and condemned to death, along with several of his classmates, for protesting compulsory uniforms and weekend curfews. His classmates were shot but his sentence was commuted to life imprisonment.

Fortunately, Friedlander’s skills in drawing and the portraits he did of his prison guards and their children came to the attention of a local functionary, who took an interest in him. In four years he was released. The war years of the 1940’s found him deeply troubled in spirit by the reports of sufferings and persecution of his people throughout Nazi-dominated Europe. Having experienced first hand in his youth the depth of man’s inhumanity to his fellow man, he now produced his heart-rending and powerful prints of the holocaust.

Friedlander’s woodcuts, wood engravings, and etchings are powerful expressions of the human condition. Death took him in 1968, but not before his spirit found renewed expression in his masterful prints of life among America’s urban blacks as the winds of social change were gathering to redress the wrongs of generations.

Island Winter

$975.00

This is a remarkable original etching of a New England winter by Kerr Eby. The image size is 9 1/2 x 15 1/4 inches, 1941, edition of about 100, cat: Giardina-204, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This etching features a richly inked impression with subtle plate tone, printed on a medium weight watermarked wove type paper.

Eleusis: The Pavement of the Temple

$950.00

This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."

Dominion

$950.00

Lithograph, image size: 12 7/16 x 9 9/16 inches, c. 1919-1920, numbered 19/33, pencil signed by the printer Bolton Brown l.l., pencil signed by the artist l.r., cat. Czestochowski-127, provenance: Baldwin-Wallace College

Entfuhrung

$950.00

Etching, image size 5 7/8 x 6 1/2 inches, 1894, cat: Schwarz-7, pencil signed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

Self Portrait as a Priest

$925.00

A rare artist's proof by Leonard Baskin, this is an early woodcut portraying the artist dressed as a priest. The image size is 21 1/4 x 10 inches, published in 1952, cat: Fern & O'Sullivan-193, pencil signed and dated, notated 'artist's proof', framed. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, and over the course of his long career he created many self portraits which beautifully showcase the evolution of his style.

Tween the Gloaming and the Mirk, When the Kye Came Hame

$925.00

This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Femme se Deshabillant

$900.00

This is an original hand signed color aquatint etching by well known master of belle epoque art, Manuel Robbe (1872-1936) The title of this piece is: "Femme se Deshabillant", it was created circa 1905 in an edition of 100. This is hand signed in orange crayon in the lower right. The image measures 13X11 inches, framed in a gold frame. A fine impression, previously sold by Merrill Chase galleries, label on the back. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.

Long Cove

$900.00

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.

Caulkins

$900.00

This 1928 etching by the British printmaker Arthur Briscoe measures 7 x 11 3/8 inches, hand signed in ink and editioned as 32/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.

Marshes at Evening

$875.00

This is a very rich impression of a great sporting etching by Frank Benson. The image size is 9 x 11 inches, published in 1918 in an edition of 150, cat: Ordeman-131, pencil signed and numbered "6". This etching is titled "Marshes at Evening" in the Ordeman catalog, although it is titled in the artist's hand on the lower margin as "Evening in the Marshes". In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist. In this, his followers and imitators have been many; his equals none." In this image, a flock of ducks come into the marsh to roost, silhouetted against the still bright sky of a midsummer evening.

Breaking Up of the Agamemnon, #1

$875.00

Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.

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