Clifford Addams
1876-1942

Capt Cork's Statue Near Charring X
1876-1942
Capt Cork's Statue Near Charring X

Etching, image size 5 3/4 x 7 1/8 inches, 1919, most likely an early artist's proof, retouched stain just below image and a reinforced broken plate mark at two corners, pencil signed, dated, and titled.


San Giorgio Nocturne
1876-1942
San Giorgio Nocturne

Etching, image size 6 7/8 x 13 7/8 inches, c. 1910, most likely an early artist's proof, reinforced broken plate mark on three sides, pencil signed and titled.


Soho Alley
1876-1942
Soho Alley

Etching and drypoint, image size 4 7/8 x 13 1/8 inches, 1912, printed on cream wove paper. Addams was born in New Jersey and attended the Drexel Institute there. He won a Philadelphia Academy Cresson Traveling Scholarship and entered Whistler’s Academy in Paris in 1899. In the 1900′s, London’s working class Italian Soho district was the subject of many artists of the day including Whistler's shop-front prints such as T.A. Nash’s Fruit Shop. The horizontal format and the density of the etching work is comparable to many of Whistler Amsterdam prints.


Herald Square: Nocturne
1876-1942
Herald Square: Nocturne

Etching, image size 5 7/8 x 11 7/8 inches, c. 1910, a slight blemish on the sheet just to the left of the image, pencil signed and titled.


Afternoon Nap
1876-1942
Afternoon Nap

Etching, image size 8 1/8 x 3 7/8 inches, 1922, pencil signed.


London County Council Hall Under Construction
1876-1942
London County Council Hall Under Construction

Etching, image size 6 7/8 x 10 inches, 1919, edition of 75, pencil signed.


Lincoln Inn Fields
1876-1942
Lincoln Inn Fields

Etching, image size 6 7/8 x 9 7/8 inches, c. 1920, pencil signed.


Garden Entrance: Grand Canal, Venice
1876-1942
Garden Entrance: Grand Canal, Venice

Etching, image size 8 7/8 x 4 1/2 inches, c. 1914, pencil signed.


Street Scene
1876-1942
Street Scene

Etching, image size 9 7/8 x 6 7/8 inches, 1912, pencil signed

Painting

End of the Day, Bride, Isle of Man
1916-2004, British
End of the Day, Bride, Isle of Man

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

Le Tisserand
1851-1898
Le Tisserand

Wood engraving by Clement Bellenger after the drawing by L. A. Lhermitte, image size 9 x 12 1/4 inches, pub 1882, plate signed, "Salon de 1882" inscribed above image. Depicts a man weaving on a large loom and a woman sitting at a spinning wheel in a rustic cabin setting.

Sculpture

H.M. Stanley
1819 - 1890, British
H.M. Stanley

Parian Ware, a Minton casting after the model by JAP MacBride, impressed title and marks; circa 1860; height: 40cm.