Clifford Addams
1876-1942

Dreamer by the Thames
1876-1942

This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Britain, and spent several years in London studying etching with Whistler. He later returned to the U. S. and worked out of studios in both New York and London.


Capt Cork's Statue Near Charring X
1876-1942

Etching, image size 5 3/4 x 7 1/8 inches, 1919, most likely an early artist's proof, retouched stain just below image and a reinforced broken plate mark at two corners, pencil signed, dated, and titled.


Soho Alley
1876-1942

Etching and drypoint, image size 4 7/8 x 13 1/8 inches, 1912, printed on cream wove paper. Addams was born in New Jersey and attended the Drexel Institute there. He won a Philadelphia Academy Cresson Traveling Scholarship and entered Whistler’s Academy in Paris in 1899. In the 1900′s, London’s working class Italian Soho district was the subject of many artists of the day including Whistler's shop-front prints such as T.A. Nash’s Fruit Shop. The horizontal format and the density of the etching work is comparable to many of Whistler Amsterdam prints.


Afternoon Nap
1876-1942

Etching, image size 8 1/8 x 3 7/8 inches, 1922, pencil signed.


London County Council Hall Under Construction
1876-1942

Etching, image size 6 7/8 x 10 inches, 1919, edition of 75, pencil signed.

Painting

Sheep and Mallards
1843-1885, Dutch

Oil on mahogany panel, image size 7 1/8 x 9 1/2 inches

Print

The Master Falconer
1473-1531, German

This woodblock was created by 16th century German artist Hans Burgkmair I c. 1518; it measures 15 1/4 x 14 3/4 inches and is Plate #5 in a series of 135 prints depicting the "Triumph of Maximilian I" in which Burgkmair was responsible for nearly half of them. This impression is printed on an early laid type paper with the banners masked, which indicates an early, possibly 16th century proof.

Drawing

White Pine
1872- c.1950, American

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club