Tomoe Yokoi
1942-, Japanese

Two Oranges
1942-, Japanese

Mezzotint, image size 11 3/4 x 13 5/8 inches, signed in pencil l.r. "T. Yokoi", "Two Oranges" l.c., edition of 9/100, l.l.

1942-, Japanese

Mezzotint, image size 11 3/4 x 13 5/8 inches, pencil signed "T. Yokoi" l.r., titled "Bugle" center, edition 35/100 l.l.

Musical Instrument
1942-, Japanese

Color Mezzotint, image size: 7 5/16 x 14 1/2 inches, ed. 63/75, pencil signed and titled

Tree and Butterfly
1942-, Japanese

Color woodblock print, edition 18/75 image size 13 3/4 x 9 1/4 inches, pencil signed

Stillife with bottle and bentwood
1942-, Japanese

Color Mezzotint, edition 53/100, image size 6 3/4 x 9 13/16 inches, pencil signed

Rolling Pin
1942-, Japanese

Color mezzotint, circa 1980, edition 43/150, image size 11 3/4 x 13 5/8 inches, pencil signed


Narragansett Bay
1835-1910, American

A lovely 1884 marine scene, by the American Luminist landscape painter, Edmund Darch Lewis. Sight size is 14 1/4 x 27 1/4 inches and is signed and dated on the lower right, watercolor with gouache, framed. A recognizable talent at an early age, Lewis studied under the German born, Hudson River School artist, Paul Weber. The Philadelphia Public Ledger described Lewis as "a tremendous talent, great freedom from tradition." His art was in high demand from the beginning and he developed a national following.


Telegraph Hill Wharves
1894-1979, American

This original etching by John Winkler measures 3 3/4 x 5 5/8 inches and is pencil signed on the lower margin. Winkler was originally from Austria coming to America at age 16 looking for adventure. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in major museums throughout the US and Europe.


View From a Country Road
1872- c.1950, American

This drawing by Dexter Dawes measures 18 3/4 x 24 3/4 inches. It is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his drawings and lithographs. He belonged to a number of associations including the National Arts Club.