Don Freeman
1908-1978, American

The Enemy's Public
1908-1978, American

9 1/2 x 11 3/4 lithograph. Cat: McCulloch 103. Edition of 35. Printed in 1935. Alternate title: "At Home".


Astor Lobby Showtime
1908-1978, American

Lithograph, image size 8 3/4 x 11 1/8 inches, 1932, edition of 30 or fewer, cat: McCulloch-34, pencil signed and titled.


Passing Fancy
1908-1978, American

Lithograph, image size 8 x 6 1/16 inches, pub. 1934, signed and titled in pencil, also plate signed, edition of 25 or fewer (McCulloch 98). Freeman is known for his depictions of urban life in the Depression era 30's. In this one, a glimpse of nightlife on a busy city street.


The Passing Show
1908-1978, American

Lithograph, image size: 9 3/16 x 10 11/16 inches, Associated American Artists, pencil signed

Painting

The Homestead
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 24 x 36 inches. Signed in the lower left. The subject is likely his family homestead in Chesham, New Hampshire.

Print

Country Road
1847-1920, British

Etching, image size 6 5/8 x 9 3/4 in, plate signed

Drawing

Bringing Home the Flock
1875-1909, American,N.Y.

Pastel on board, 9 x 12 inches, c. 1900, signed, in the original frame.