Albany E. Howarth
British, 1872-1936

Sunset Windmere
British, 1872-1936

This dry point etching measures 5 7/8 x 7 7/8 inches and is pencil signed.


Chichester
British, 1872-1936

This etching by Albany E. Howorth measures 6 3/4 x 8 1/8 inches. It is pencil signed on the lower right margin with a blind stamp on the lower left. A richly inked image of farmers harvesting the summer crop of hay with the delicate, fine lines of Chichester Cathedral in the distance.


Notre Dame, Paris - The Rose Window
British, 1872-1936

Etching, image size: 21 3/4 x 13 inches, published by Alfred Bell and Co, London, 1928, blindstamp lower left, pencil signed lower right


The Choir and Screen, Toledo
British, 1872-1936

Etching, image size: 19 3/4 x 14 inches, published by Alfred Bell and Co., London, 1928, blindstamp lower left, pencil signed lower right


Sunset Windmere
British, 1872-1936

Dry point etching, image size 5 7/8 x 7 7/8 inchces, pencil siged

Painting

The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.

Print

Christian And The Three Shinning Ones
1902-1981, British

Woodengraving,from Pilgrims Progress,1928,ed.8/12,9 3/8X7",pencil signed

Drawing

Artists  Studio
1893-1986, American

Drawing, pen and ink on paper, image size 14 x 10 3/4 inches, pencil signed and titled, l.r. "Artists Studio - Harriton", adhered to artist board.