John Taylor Arms
1887-1953, American

U.S.S. Haddo- Portrait of a Submarine- 1942
1887-1953, American

A remarkably detailed original etching of the WWII submarine U.S.S. Haddo, from John Taylor Arms' 'U.S. Navy Series'. Etching and aquatint, image size 9 1/2 x 18 1/8 inches, 1947, cat: Fletcher-405, numbered "III" in pencil, pencil signed and dated. John Taylor Arms served as a naval officer during WWI and at the onset of WWII was ready to serve again, but did not meet the Navy's physical requirements. Instead, Arms created his "U.S. Navy Ship Series," to support the American war effort.


The Rose, Beauvais
1887-1953, American

This is a remarkable original etching of the intricate facade and Rose window of Beauvais cathedral by American artist John Taylor Arms. The image size is 12 x 7 1/8 inches, 1925, French Church Series #3, cat: Fletcher 161, pencil signed and dated. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.


Amiens
1887-1953, American

This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.


Gerona
1887-1953, American

An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance. He specialized in images of European architecture and cathedrals.


The Pig Pen
1887-1953, American

One of John Taylor Arms' early etchings, this image of a rural European farm measures 4 5/8 x 11 7/8 inches, pencil signed, dated and numbered 3/75, also titled "The Sty" and "La Parcherie". Printed by Frederick Reynolds, cat: Fletcher #83. Created in 1920, this very detailed and expertly toned etching is beautifully matted and framed.


Burgos
1887-1953, American

This is an atmospheric original etching of the cathedral in the town of Burgos in Northern Spain. Image size 8 1/2 x 13 inches, 1924, edition of 150, cat: Fletcher-142, Spanish Church Series #2, pencil signed and dated. According to Fletcher, this etching is also called "A Spanish Town Revisited".


Plumed Serpent
1887-1953, American

A beautifully detailed miniature etching by John Taylor Arms, image size 1 7/8 x 2 1/2 inches, 1940, cat: Fletcher-344, Miniature Series #27, Yucatan Series #1, pencil signed.


Limoges
1887-1953, American

This 1932 etching by the master printmaker, John Taylor Arms, measures 10 x 13 1/2 inches and is pencil signed and dated on the lower margin. Edition 142, repair to edge of image, right side. Part of his French Church Series.


Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company
1887-1953, American

A superb original etching by John Taylor Arms, this image measures 10 x 17 1/4 inches, published in 1943, state III/III, cat: Fletcher- 377, U.S. Navy Series #2, pencil signed and dated. This image shows the ships U.S.S. Radford, Quick, and Mervine at the Federal Shipbuilding and Drydock Company, South Kearney NJ. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture.


Spanish Jewelry
1887-1953, American

A finely detailed original etching, this image measures 5 x 3 1/4 inches, published 1925, Spanish Church Series #6, 2nd State, cat: Fletcher-171, pencil signed and dated. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance. He specialized in images of European architecture and cathedrals, such as this ornately carved Spanish doorway.


Battle Wagon- U.S.S. Alabama Outfitting at Norfolk Navy Yard
1887-1953, American

A great image of a WWII battleship by John Taylor Arms, this etching with aquatint measures 12 x 18 inches, #1 of Arms' "U. S. Navy Ship Series," published in 1943, state 3 of 6, pencil signed and dated lower right, numbered "VI" lower left, cat: Fletcher-376. This is a rare early state proof before the plate was steel-faced for the fourth state. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture.


Wilby Church
1887-1953, American

Etching, image size 4 1/4 x 2 3/8 inches, 1940, pencil signed ans dated l.c. "John Taylor Arms 1940", ed. 150.


Corbel of the Gate House, Stokesay Castle
1887-1953, American

Etching, sight size 3 x 1 9/16 inches, 1944, Fletcher #383, French Church Series, edition of 71, Charles S. White, printer, Miniature Series #35, pencil signed and dated by the artist l.r. with annotated "II" l.l., artist seal l.r, framed, AAA label on back. (M)


The Piazza, Venzone
1887-1953, American

Etching, image size 5 1/8 x 7 3/8 inches, 1931, second state of two, edition of 127, Fletcher 239, signed and dated in pencil l.r. "John Taylor Arms-1931", on blue toned laid paper, from the "Italian Series #23".


Puerta Del Obispo, Zamora
1887-1953, American

Etching, image size 12 1/2 x 7 1/8 inches, 1933, edition of 100, cat: Fletcher- 266, pencil signed, dated and editioned. Spanish Church Series #9.


Chapiteau Gothique, Dorothy et John Taylor Arms, A.D. MCMXXVI
1887-1953, American

Etching, image size 4 7/8 x 3 1/2 inches, 1926, 1st State, cat. Fletcher-185A, pencil signed and inscribed "To my friend Samuel Chamberlain / John Taylor Arms."


Old Rouen
1887-1953, American

Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed


Lace Place Victor Hugo, Lisieux
1887-1953, American

Etching, image size: 7 x 9 1/2 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 21/50, cat. Fletcher-20, pencil signed lower right. Also titled "Lacet, Place Victor Hugo, Lisieux." An unusually abstract street scene for an artist known for exacting accuracy.


Aspiration, La Madeleine, Verneuil-Sur-Avre
1887-1953, American

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.


Chartres the Magnificent
1887-1953, American

Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed


Segovia
1887-1953, American

Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed


Place Plumereau Tours
1887-1953, American

Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.


Angouleme
1887-1953, American

Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited" and "The Cathedral of St. Pierre."


Stokesay Castle
1887-1953, American

Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper


St Paul Alpes Maritimes
1887-1953, American

Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed


Chateau Stockalper Brique
1887-1953, American

Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed


Cavendish Common
1887-1953, American

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y.

Painting

A Cool Quiet Rook
1855-?, American

This landscape measures 12 5/8 x 9 1/8 inches and is signed on the reverse in pencil as "E. A. King", housed in a period frame. We are attributing this painting to Elizabeth A.(Bessie) King who studied at the Chandler School of Art in Detroit and was a member of the Atlanta Artists Association.

Print

Study of a Nude
1852-1931, French

This original lithograph by Jean-Louis Forain measures 10 x 12 inches on a sheet size of 19 1/2 x 12 1/2 inches. Created c. 1898 in probably a small but unknown edition. Cat: Johnson 48.4. Forain was an important French Impressionist painter, lithographer and etcher. Friends with Degas for over 50 years and heavily influenced by Daumier, he enjoyed depicting scenes of everyday life in the city of Paris. This print was intended for a portfolio to have been published by Ambroise Vollard. Forain was a member of the Royal Academy of Arts in London.

Drawing

Christmas Card 1938
1872- c.1950, American

Two drawings, one in ink and colored pencil, the other in ink, 1938, image sizes 6 3/4 x 4 3/4 inches and 8 3/4 x 5 3/4 inches.