John Taylor Arms 1887-1953, American
1887-1953, American Corbel of the Gate House, Stokesay Castle Etching, sight size 3 x 1 9/16 inches, 1944, Fletcher #383, French Church Series, edition of 71, Charles S. White, printer, Miniature Series #35, pencil signed and dated by the artist l.r. with annotated "II" l.l., artist seal l.r, framed, AAA label on back.
1887-1953, American Une Chimere La Chimera Etching, sight size 3 x 2 1/2 inches, 1948, edition of 201, signed and dated in pencil by the artist lower right, annotated "II" in pencil by the artist lower left, Fletcher #14 from the Gargoyle Series, #38 from the Miniature Print Series and 1951 Boston Printmakers Miniature Print Purchase Prize winner, printed by British master printer, David Strang, in an edition of 201, framed, AAA label on back.
1887-1953, American The Piazza, Venzone Etching, image size 5 1/8 x 7 3/8 inches, 1931, second state of two, edition of 127, Fletcher 239, signed and dated in pencil l.r. "John Taylor Arms-1931", on blue toned laid paper, from the "Italian Series #23".
1887-1953, American Notre Dame de Laon Etching, image size 13 7/8 x 9 3/8 inches, 1929, third state of three, from the 1929 edition of 100(Fletcher 219) from the French Church Series #26, plate signed l.r. "Arms, 1929" and titled l.l. "Notre Dame de Laon", pencil signed l.r. "John Taylor Arms - 1929", provenance Kennedy & Co., NYC.
1887-1953, American Shadows in Mexico Etching, image size 4 7/8 x 3 3/8 inches, 1944, cat: Fletcher-340, early trial proof from 3rd state, pencil signed, dated and inscribed "Trial Proof II III", artists' annotation at bottom edge of sheet.
1887-1953, American Gerona Etching, image size 12 1/4 x 7 3/4 inches, 1925, edition of 150, cat: Fletcher- 164, pencil signed and dated. Spanish Church Series #5.
1887-1953, American Puerta Del Obispo, Zamora Etching, image size 12 1/2 x 7 1/8 inches, 1933, edition of 100, cat: Fletcher- 266, pencil signed, dated and editioned. Spanish Church Series #9.
1887-1953, American Chapiteau Gothique, Dorothy et John Taylor Arms, A.D. MCMXXVI Etching, image size 4 7/8 x 3 1/2 inches, 1926, 1st State, cat. Fletcher-185A, pencil signed and inscribed "To my friend Samuel Chamberlain / John Taylor Arms."
1887-1953, American Old Rouen Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed
1887-1953, American Lace Place Victor Hugo, Lisieux Etching, image size: 7 x 9 1/2 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 21/50, cat. Fletcher-20, pencil signed lower right. Also titled "Lacet, Place Victor Hugo, Lisieux." An unusually abstract street scene for an artist known for exacting accuracy.
1887-1953, American Red Mill Etching and aquatint, 11 1/8 x 7 1/4 inches, 1922, printed by Frederick Reynolds, 2nd state, edition of 25, cat. Fletcher-127, pencil signed lower right. A rare black and white version of the print also known as "The Red Barn, Southport."
1887-1953, American Apple Tree Etching, image size: 7 1/16 x 7 7/8 inches, 1920, cat. Fletcher-67, Trial Proof, edition of 75, printed by Frederick Reynolds, pencil signed with inscription "To Frederick Reynolds." Alternate titles include "The Blighted Tree, Fairfield" and "La Pommier."
1887-1953, American Reflections at Finchingfield, England Etching, image size: 7 1/16 x 17 1/8 inches, 1938, second state, trial proof, printed by David Strang, inscribed in the plate "John Taylor Arms 1938" lower right, cat. Fletcher-311, pencil signed lower right
1887-1953, American Aspiration, La Madeleine, Verneuil-Sur-Avre Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.
1887-1953, American Chartres the Magnificent Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed
1887-1953, American Mont Saint Michel Etching, image size: 15 x 11 3/4 inches, 1926, ed. 100, printed by Frederick Reynolds, French Church Series #9, cat. Fletcher-182, pencil signed
1887-1953, American Vermont (God's Mirror) Etching, image size: 1 5/16 x 2 3/8 inches, 1944, 3rd state, inscribed in plate "God's Mirror" lower left, pencil signed lower right
1887-1953, American Shadows in Mexico Etching, image size: 5 x 7 inches, 1940, first state, demonstration plate 93: N.B.C. Studios, Rockerfeller Center, New York, N.Y. July 26, 1940, "The Making of an Etching", printed by Charles White, cat. Fletcher 340, pencil signed and dated
1887-1953, American Somewhere in France Etching, 1919, signed, dated and titled in pencil, image size: 12 1/8 x 6 "
1887-1953, American Loop the Loop Etching aquatint, 1920, frontispiece for the Print Connoisseur, image size 6 x 4 inches, unsigned
1887-1953, American Segovia Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed
1887-1953, American Place Plumereau Tours Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.
1887-1953, American Angouleme Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited, Angouleme" and "The Cathedral of St. Pierre"
1887-1953, American Stokesay Castle Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper
1887-1953, American St Paul Alpes Maritimes Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed
1887-1953, American Chateau Stockalper Brique Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed
1887-1953, American Cavendish Common Etching, 1942, 2nd state, Charles White printer, 6 3/8 X 14 9/16", ed. 150, pencil signed, framed.
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