John Taylor Arms
1887-1953, American

Limoges
1887-1953, American

This 1932 etching by the master printmaker, John Taylor Arms, measures 10 x 13 1/2 inches and is pencil signed and dated on the lower margin. Edition 142, repair to edge of image, right side. Part of his French Church Series.


Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company
1887-1953, American

A superb original etching by John Taylor Arms, this image measures 10 x 17 1/4 inches, published in 1943, state III/III, cat: Fletcher- 377, U.S. Navy Series #2, pencil signed and dated. This image shows the ships U.S.S. Radford, Quick, and Mervine at the Federal Shipbuilding and Drydock Company, South Kearney NJ. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture.


The Birdman
1887-1953, American

This 1919 etching and aquatint by John Taylor Arms measures 7 1/2 x 5 inches. This is the third state in an edition of 50. Printed by Frederick Reynolds, it is pencil signed by both the artist and the printer on the lower margin. Framed. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.


Spanish Jewelry
1887-1953, American

A finely detailed original etching, this image measures 5 x 3 1/4 inches, published 1925, Spanish Church Series #6, 2nd State, cat: Fletcher-171, pencil signed and dated. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance. He specialized in images of European architecture and cathedrals, such as this ornately carved Spanish doorway.


Battle Wagon- U.S.S. Alabama Outfitting at Norfolk Navy Yard
1887-1953, American

A great image of a WWII battleship by John Taylor Arms, this etching with aquatint measures 12 x 18 inches, #1 of Arms' "U. S. Navy Ship Series," published in 1943, state 3 of 6, pencil signed and dated lower right, numbered "VI" lower left, cat: Fletcher-376. This is a rare early state proof before the plate was steel-faced for the fourth state. John Taylor Arms was an extremely talented and successful artist in the early 20th century, known especially for his exquisite renderings of French cathedrals and other European architecture.


Bark 'Metis' Making Harbor
1887-1953, American

This remarkable color etching and aquatint was created by John Taylor Arms in 1923, after a painting by D. W. Smith of a Newburyport, Massachusetts boat. The image size is 12 x 18 inches, printed by Frederick Reynolds in an edition of 200, cat: Fletcher-133, pencil signed. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.


Wilby Church
1887-1953, American

Etching, image size 4 1/4 x 2 3/8 inches, 1940, pencil signed ans dated l.c. "John Taylor Arms 1940", ed. 150.


Corbel of the Gate House, Stokesay Castle
1887-1953, American

Etching, sight size 3 x 1 9/16 inches, 1944, Fletcher #383, French Church Series, edition of 71, Charles S. White, printer, Miniature Series #35, pencil signed and dated by the artist l.r. with annotated "II" l.l., artist seal l.r, framed, AAA label on back. (M)


The Piazza, Venzone
1887-1953, American

Etching, image size 5 1/8 x 7 3/8 inches, 1931, second state of two, edition of 127, Fletcher 239, signed and dated in pencil l.r. "John Taylor Arms-1931", on blue toned laid paper, from the "Italian Series #23".


Puerta Del Obispo, Zamora
1887-1953, American

Etching, image size 12 1/2 x 7 1/8 inches, 1933, edition of 100, cat: Fletcher- 266, pencil signed, dated and editioned. Spanish Church Series #9.


Chapiteau Gothique, Dorothy et John Taylor Arms, A.D. MCMXXVI
1887-1953, American

Etching, image size 4 7/8 x 3 1/2 inches, 1926, 1st State, cat. Fletcher-185A, pencil signed and inscribed "To my friend Samuel Chamberlain / John Taylor Arms."


Old Rouen
1887-1953, American

Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed


Lace Place Victor Hugo, Lisieux
1887-1953, American

Etching, image size: 7 x 9 1/2 inches, 1919, 3rd state, printed by Frederick Reynolds, numbered 21/50, cat. Fletcher-20, pencil signed lower right. Also titled "Lacet, Place Victor Hugo, Lisieux." An unusually abstract street scene for an artist known for exacting accuracy.


Aspiration, La Madeleine, Verneuil-Sur-Avre
1887-1953, American

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.


Chartres the Magnificent
1887-1953, American

Etching, image size: 3 1/2 x 4 1/4 inches, 1948, # 49 of the French Church Series, cat. Fletcher-411, pencil signed


Segovia
1887-1953, American

Etching,1929,edition of 150 Spanish Church Series, Image size 13 5/8 X 17 5/16",pencil signed


Place Plumereau Tours
1887-1953, American

Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.


Angouleme
1887-1953, American

Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited, Angouleme" and "The Cathedral of St. Pierre"


Stokesay Castle
1887-1953, American

Etching,1942,image size 2 1/4X2 15/16",edition of 365,Miniature print society of Kansas,pencil signed, on blueish tinted paper


St Paul Alpes Maritimes
1887-1953, American

Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed


Chateau Stockalper Brique
1887-1953, American

Etching,1927,ed.100,f.202,10 1/4X4 7/8",pencil signed


Cavendish Common
1887-1953, American

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y.

Painting

House in the Pines
1861-1936, American

Oil on board, 15 x 18 in, unsigned, from the collection of the Fuller Museum of Art, Brockton, Massachusetts. (on loan)

Print

Home of Mary Washington - Fredericksburg, Virginia
1879-1964, American

Etching, image size 9 3/4 x 12 1/2 inches, 1926, signed and dated in pencil.

Drawing

Christmas Card
1872- c.1950, American

Two drawings, one in ink wash and one in pencil, image size of each 4 3/4 x 5 3/4 inches.