Jackson Lee Nesbitt
1913-2008, American

"Casting" Blast Furnace
1913-2008, American

This original lithograph is titled,"Casting, Blast Furnace", The setting of this image is the Sheffield Steel Plant in Houston, TX.1951,the image measures 11 1/4 x 15 7/8 inches, in an edition of 70, this image is pencil signed and titled . In the 1930s, Nesbitt studied art under Thomas Hart Benton, John deMartelly and Ross Braught at the Kansas City Art Institute. He became known for his southern Regionalist prints depicting everyday life in rural America, of which several were commissioned by the Associated American Artists.


Stripping Ingots
1913-2008, American

This etching was created for the Sheffield Steel Plant in Houston, TX, image size 11 7/8 x 9 1/8 inches, 1939, 23/60, pencil signed "Jackson Lee Nesbitt". In the 1930s, Nesbitt studied art under Thomas Hart Benton, John deMartelly and Ross Braught at the Kansas City Art Institute. He became known for his southern Regionalist prints depicting everyday life in rural America,as well as his industrial images, of which several were commissioned by the Associated American Artists.

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Fuseli
1922-2000, American

This is a great portrait of the 18th century Romantic painter Henry Fuseli by American artist Leonard Baskin. The sight size is 26 x 18 inches, published in 1969 in an edition of 100, cat: Fern & O'Sullivan-534, pencil signed, titled and numbered, framed. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired.

Drawing

Into the Woods
1872- c.1950, American

This mixed media drawing by Dexter Dawes measures 11 3/8 x 10 inches on medium weight paper. Dawes summered in southern NH with its' majestic views of Mt. Monadnock, where many of his inspirations for his drawings, paintings and lithographs came from.