Albert W. Barker
1874-1947, American

Beyond Paul Point
1874-1947, American

Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

The Deserted Homestead
1874-1947, American

Lithograph, image size 9 3/4 x 13 1/8 inches, c. 1930s, edition of 40, pencil signed.

Ancient River Bottom
1874-1947, American

Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.

Rising Mist, Martha's Vineyard
1874-1947, American

Lithograph, image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50

The Upper Meadow
1874-1947, American

Lithograph, image size 7 7/8 x 10 7/8 inches, Barker 33, ed. of 76, pencil signed

New Snow on Old
1874-1947, American

Lithograph, image size 9 1/2 x 13 1/2 inches, 1936, Barker 189, pencil signed and inscribed "Ed. 35. To my kind hosts, Mr. and Mrs. J.C. Menishom [?], Feb. 17, 1937. A.W.B."

Hauling the Log
1874-1947, American

Lithograph, image size 5 3/4 x 7 7/16 inches, Barker 130, pencil signed and inscribed "Ed. 50."

187. Tenth Month, Second
1874-1947, American

Lithograph on Chine Colle, image size: 5 3/8 x 4 3/4 inches, 1936, (Brandywine Conservancy 41) ed. 64, pencil signed and inscribed

Fall Plowing
1874-1947, American

Lithograph, image size 5 1/2 x 7 11/16 inches, edition of 50, pencil signed

Lamberts Cove
1874-1947, American

Lithograph, image size: 10 x 7 3/16, edition of 90, cat. B90, pencil signed

The Quarry No.2
1874-1947, American

Lithograph, Edition of 50, image size: 11X8 3/4 inches, pencil signed

Stubble Fire
1874-1947, American

lithograph, image size:8 1/2X11 7/16in,pencil signed

Upper Barn, 2nd Stone
1874-1947, American

Lithograph, 6X7 3/8",ed.20,pencil signed

The Out Lying Farm
1874-1947, American

Lithograph, 4 3/4X7 13/16", pencil signed

In The Days Work
1874-1947, American

Lithograph, B-152,lithograph on chine colle,9 7/8X6,ed.38,pencil signed

1874-1947, American

Lithograph, 11 1/8x8 12/16", pencil signed


Doge's Palace from St. Mark's Bay, Venice

This is a gorgeous Venice scene, painted in oil on panel, c. 1870s, signed "Ziem" in the lower left corner, in a heavy period gilt frame. This painting is attributed to French artist Felix Ziem (1821-1911), who was known for his atmospheric images of the city of Venice. Although we have been unable to ascertain this painting is by Ziem, the style, subject, and composition certainly look like his work. Regardless of the artist, this is a beautiful, richly hued painting of the distinctive Doge's Palace and St. Mark's Bay, Venice.


Barn Door
1900-1988, Italian-American

This wonderful Vermont landscape by Luigi Lucioni measures 8 3/4 x 13 3/8 inches and is pencil signed. Created in 1944, this scene is typical of Lucioni's love of the Vermont landscape which he enjoyed immensely, spending his summers there and winters in NYC. He was introduce to etching by the American artist William Auerbach-Levy at the National Academy of Design where Lucioni attended.


Christmas Card
1872- c.1950, American

Two drawings, one in ink wash and one in pencil, image size of each 4 3/4 x 5 3/4 inches.