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Albert W. Barker
1874-1947, American

Beyond Paul Point
1874-1947, American

Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.


The Deserted Homestead
1874-1947, American

Lithograph, image size 9 3/4 x 13 1/8 inches, c. 1930s, edition of 40, pencil signed.


Ancient River Bottom
1874-1947, American

Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.


Rising Mist, Martha's Vineyard
1874-1947, American

Lithograph, image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50


The Upper Meadow
1874-1947, American

Lithograph, image size 7 7/8 x 10 7/8 inches, Barker 33, ed. of 76, pencil signed


New Snow on Old
1874-1947, American

Lithograph, image size 9 1/2 x 13 1/2 inches, 1936, Barker 189, pencil signed and inscribed "Ed. 35. To my kind hosts, Mr. and Mrs. J.C. Menishom [?], Feb. 17, 1937. A.W.B."


Hauling the Log
1874-1947, American

Lithograph, image size 5 3/4 x 7 7/16 inches, Barker 130, pencil signed and inscribed "Ed. 50."


187. Tenth Month, Second
1874-1947, American

Lithograph on Chine Colle, image size: 5 3/8 x 4 3/4 inches, 1936, (Brandywine Conservancy 41) ed. 64, pencil signed and inscribed


Fall Plowing
1874-1947, American

Lithograph, image size 5 1/2 x 7 11/16 inches, edition of 50, pencil signed


Lamberts Cove
1874-1947, American

Lithograph, image size: 10 x 7 3/16, edition of 90, cat. B90, pencil signed


The Quarry No.2
1874-1947, American

Lithograph, Edition of 50, image size: 11X8 3/4 inches, pencil signed


Stubble Fire
1874-1947, American

lithograph, image size:8 1/2X11 7/16in,pencil signed


Upper Barn, 2nd Stone
1874-1947, American

Lithograph, 6X7 3/8",ed.20,pencil signed


The Out Lying Farm
1874-1947, American

Lithograph, 4 3/4X7 13/16", pencil signed


In The Days Work
1874-1947, American

Lithograph, B-152,lithograph on chine colle,9 7/8X6,ed.38,pencil signed


Grassland
1874-1947, American

Lithograph, 11 1/8x8 12/16", pencil signed

Painting

Summer Landscape
1855-1927, German/American

Oil on canvas, 14 x 20 inches, signed lower left. Marie Osthaus Griffith was the older sister of Edmund Henry Osthaus, one of the most successful painters of hunting dogs in the United States in the 19th century.

Print

The Foundry
19th C.

after A. Menzel, 1883, etching, 11 3/4x8 1/2, plate signed

Drawing

White Birch
1872- c.1950, American

Pen and ink by Dexter Dawes measuring 7 3/4 x 10 1/4 inches. "White Birches H. Hill June 29 - 1915" written in the artist hand on the lower margin.