Albert W. Barker
1874-1947, American

Upper Barn, Winter
1874-1947, American

C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. Plate measures 8 3/4 x 7 1/2 on 14 x 11 1/2 inch watermarked wove type paper. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.


The Island
1874-1947, American

C. 1932. Plate measures 9 x 6 3/4 inches on 11 1/2 x 9 inch wove type paper. Edition of 31. The artist has scraped away parts of the plate, creating an interesting modernist depiction of clouds. Plate signed and dated in the lower right, pencil signed in the lower right. Catalog: Barker 123.


So September Ends
1874-1947, American

Catalog: Barker 31. Pencil signed and editioned. Print number 16 in an edition of 43. Plate measures 11 x 7 3/4 inches on 14 3/8 x 10 5/8 inch wove type paper.


Grand Rue, Caudebec-en-Caux
1874-1947, American

Pencil signed and editioned, print 36 in an edition of 100. Plate measures 4 1/4 x 3 inches on 8 5/8 x 7 5/8 inch laid type paper.


Barren Road
1874-1947, American

Pencil signed and editioned lithograph. Edition of 40. Plate measures 4 1/2 x 3 5/8 inches on 8 5 3/4 inch wove type paper.


The Verge
1874-1947, American

Pencil signed and editioned lithograph from 1929. Edition of 54. Plate measures 3 3/4 x 5 1/2 on 7 x 8 inch wove type paper.


Beyond Paul Point
1874-1947, American

Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.


The Deserted Homestead
1874-1947, American

Lithograph, image size 9 3/4 x 13 1/8 inches, c. 1930s, edition of 40, pencil signed.


Ancient River Bottom
1874-1947, American

Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.


Rising Mist, Martha's Vineyard
1874-1947, American

Lithograph, image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50


The Upper Meadow
1874-1947, American

Lithograph, image size 7 7/8 x 10 7/8 inches, Barker 33, ed. of 76, pencil signed


New Snow on Old
1874-1947, American

Lithograph, image size 9 1/2 x 13 1/2 inches, 1936, Barker 189, pencil signed and inscribed "Ed. 35. To my kind hosts, Mr. and Mrs. J.C. Menishom [?], Feb. 17, 1937. A.W.B."


Hauling the Log
1874-1947, American

Lithograph, image size 5 3/4 x 7 7/16 inches, Barker 130, pencil signed and inscribed "Ed. 50."


187. Tenth Month, Second
1874-1947, American

Lithograph on Chine Colle, image size: 5 3/8 x 4 3/4 inches, 1936, (Brandywine Conservancy 41) ed. 64, pencil signed and inscribed


Fall Plowing
1874-1947, American

Lithograph, image size 5 1/2 x 7 11/16 inches, edition of 50, pencil signed


Lamberts Cove
1874-1947, American

Lithograph, image size: 10 x 7 3/16, edition of 90, cat. B90, pencil signed


The Quarry No.2
1874-1947, American

Lithograph, Edition of 50, image size: 11X8 3/4 inches, pencil signed


Stubble Fire
1874-1947, American

lithograph, image size:8 1/2X11 7/16in,pencil signed


Upper Barn, 2nd Stone
1874-1947, American

Lithograph, 6X7 3/8",ed.20,pencil signed


The Out Lying Farm
1874-1947, American

Lithograph, 4 3/4X7 13/16", pencil signed


In The Days Work
1874-1947, American

Lithograph, B-152,lithograph on chine colle,9 7/8X6,ed.38,pencil signed


Grassland
1874-1947, American

Lithograph, 11 1/8x8 12/16", pencil signed

Painting

Sailing off the Maine Coast
1928-, American

A fine image of sailboats along the Maine coastline, painted in watercolor on paper, sight size 12 3/4 x 16 1/2 inches, signed lower left, framed. Laurence Sisson was born in Maine and after serving in Japan in WWII, studied at the Yale Summer School. He became known for his seascapes of the New England coast as well as images of the American southwest.

Print

Seller Of Linages
19th C.

etching, 12 1/2x9 1/4, plate signed, 1893

Drawing

Mountain Landscape
1844-1942, American

This watercolor landscape by Horace Burdick measures 4 7/8 x 6 3/4 inches and is signed on the lower left and matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists estate.