Otto Kuhler
1894-1976, German-American

Arch of Septimus Severus
1894-1976, German-American

Etching, image size 7 3/4 x 5 3/8 inches, pencil signed.


Harnessing the Susquehanna at Conowingo, Maryland
1894-1976, German-American

Etching, image size 9 1/4 x 12 7/8 inches, circa 1929, No. 3, pencil signed.


Heavy Weather
1894-1976, German-American

Etching, image size 12 3/4 x 9 1/4 inches, titled and signed in pencil


At Quarantine
1894-1976, German-American

Etching, image size 10 3/8 x 7 3/4 inches, signed and titled in pencil


The Thomas W. Koon Dam, Cumberland, Maryland
1894-1976, German-American

Etching, image size 7 3/4 x 10 3/8 inches, 1931, pencil signed and inscribed "No 38"


Allegheny River Lock and Dam 2, under Construction
1894-1976, German-American

Etching, image size 7 1/2 x 9 7/8 inches, 1933, pencil signed and numbered 47/100.

Painting

Coastal View
1935 - ?, American

This original oil on canvas, c. 1950, by Robert Moskowitz mesures 12 x 16 inches. It is signed on the lower right and is framed. Moskowitz was heavily influenced by abstract expressionism and the work of Jasper Johns. Studying at the Pratt Institute of Art under Bradley Walker Tomlin and Adolph Gottlieb, he worked mainly in oils and pastels with architectural themes. His work has been exhibited at the Museum of Modern Art and the Hirshhorn Museum in Washington.

Print

En Rade de Re
1861-1932, French

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.

Drawing

Edge of the Field
1872- c.1950, American

This landscape drawing by Dexter Dawes measures 18 1/2 x 24 1/2 inches and is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club.