John James Audubon
1785-1851, American

Musk Rat - Musquash, Old and Young and  Rocky Mountain Neotoma
1785-1851, American

Hand colored period lithographs, each image size approx. 6 1/2 x 8 1/2 inches, c. 1850. Inscribed under the top image is "Drawn from Nature by J.J. Audubon, F.R.S.F.L.S." and "Drawn on Stone by R. Trembly" l.l., "Printed by Naoel a Weingaertner N.Y." and "Colored by J. Lawrence" is inscribed in the lower right. Also on the top left of the image is "No. 3." and top right is "Plate XIII". On the lower image of the Neotoma, "Drawn from Nature by J.J. Audubon, F.R.S.F.L.S." is l.l., "Drawn on Stone by Wm. E. Hitchcock" is centered under the image, and "Printed & Col. by J.T.


American Badger and Maryland Marmot Woodchuck Groundhog, Old and Young
1785-1851, American

Two hand colored period lithographs, each image size approx. 6 1/2 x 8 1/2 inches, c. 1850, drawn from nature by J.J. Audubon, drawn on stone by W.E. Hitchcock, Printed by J.T. Bowen, Philadelphia. American Badger inscribed: "No. 10" and "Plate XLVII". Maryland Marmot Woodchuck Groundhog inscribed: "No. 1" and "Plate II". Both prints feature very rich original colors, but have tape residue and toning around the edges of the sheet, not effecting the image area. (M)

Painting

The Road Home
1829-1913, Canadian/American

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe (c.1870) under Charles-François Daubigny (see AskART) probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli (see AskART) in Naples, Italy.

Print

Harvard Medical
1883-1979, American

This beautiful etching of the Administration Building at Harvard Medical School by Charlestown artist, Elizabeth O'Neill Verner measures 10 1/2 x 14 1/2 inches. Done circa 1925, it is pencil signed on the lower right margin. Known for her love of the Lowcountry surrounding Charlestown, with its images of swamps, fields and local wildlife and urban scenes with its unique characters, she captured the spirit of the south. Verner initiated the founding of the Charlestown Society of Etchers and is considered the matriarch of the Charleston Renaissance, which flourished during the 1920s and 1930s.

Drawing

Christmas Card
1872- c.1950, American

Two drawings, one in ink wash and one in pencil, image size of each 4 3/4 x 5 3/4 inches.