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Max Kuehne
1880 - 1968, American

Toledo, Spain
$350.00
1880 - 1968, American

Etching, drypoint, image size 6 7/8 x 8 7/8 inches, edition of 100, pencil signed l.r. "Max Kuehne".


Cuenca, Spain
$275.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 5/8 inches, c. 1915, pencil signed and titled. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this riverside vista of the city of Cuenca.


Street in Toledo
$175.00
1880 - 1968, American

Etching, image size 7 7/8 x 5 7/8 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this etching depicting an everyday street in the city of Toledo.


Street Scene with Donkeys, Toledo
$175.00
1880 - 1968, American

Etching, image size 8 3/8 x 6 3/8 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this lively street scene in the city of Toledo.


Puenta San Martin, Toledo
$175.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 3/4 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this view of a bridge over the San Martin River in Toledo.


Basque Fishing Port, Ondarroa, Spain
$175.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 3/4 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this view of a fishing port.


The Old Town
$295.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 7/8 inches, signed "Max Kuehne" in pencil l.r., titled in pencil l.l., laid paper.

Painting

Harbor Nocturne

This is an atmospheric moonlit scene of a ship coming in to harbor, painted in oil on Academy Board and measuring 15 1/8 x 11 inches. It is obscurely signed "H. G. Lask..?" in the lower right corner; although we have not been able to determine the identity of the artist, this painting is certainly done by a skilled hand, very much in the style of James Gale Tyler. A very fine 19th century painting in an ornate period gilt frame.

Print

Public Library - Woburn

Etching, image size 4 1/8 x 6 1/4 inches, plate titled "Public Library - Woburn" l.l., plate signed "EHC 1880" l.r. This etching is out of the publication by Estes and Lauriat titled "Famous Etchers".

Drawing

View From a Country Road
1872- c.1950, American

This drawing by Dexter Dawes measures 18 3/4 x 24 3/4 inches. It is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his drawings and lithographs. He belonged to a number of associations including the National Arts Club.