Max Kuehne
1880 - 1968, American

Toledo, Spain
$350.00
1880 - 1968, American

Etching, drypoint, image size 6 7/8 x 8 7/8 inches, edition of 100, pencil signed l.r. "Max Kuehne".


Cuenca, Spain
$275.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 5/8 inches, c. 1915, pencil signed and titled. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this riverside vista of the city of Cuenca.


Street in Toledo
$175.00
1880 - 1968, American

Etching, image size 7 7/8 x 5 7/8 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this etching depicting an everyday street in the city of Toledo.


Street Scene with Donkeys, Toledo
$175.00
1880 - 1968, American

Etching, image size 8 3/8 x 6 3/8 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this lively street scene in the city of Toledo.


Puenta San Martin, Toledo
$175.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 3/4 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this view of a bridge over the San Martin River in Toledo.


Basque Fishing Port, Ondarroa, Spain
$175.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 3/4 inches, c. 1915, unsigned, estate stamped on reverse, titled in pencil, possibly in the artist's hand. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this view of a fishing port.


The Old Town
$295.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 7/8 inches, signed "Max Kuehne" in pencil l.r., titled in pencil l.l., laid paper.

Painting

Near Aber, North Wales
1864-1930, British

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame.

Print

Landscape, Evening
1813-1894, French

This etching by the French artist, Charles Jacque measures 3 7/8 x 7 3/16 inches, printed by Cardart, Paris, plate signed, 1890.

Drawing

Old Maple
1872- c.1950, American

A very nice pencil drawing of an old maple tree by the Marlboro artist, Dexter Dawes. It measures 10 1/4 x 7 7/8 inches on a sheet of medium weight drawing paper. "Ask ?" is written on the l.l. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.