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Francesco Bartolozzi
1727-1815, Italian, active in Britain

The Woodman
1727-1815, Italian, active in Britain
The Woodman

Hand-colored stipple engraving after the painting by Thomas Barker, image size 22 1/4 x 15 3/16 inches, trimmed to the image on the top and sides, inscribed "first colored proof" in pencil in the lower right margin


The Woman of Samaria
1727-1815, Italian, active in Britain
The Woman of Samaria

Engraving after W. Hamilton, image size: 12 x 10 inches, published 1792


Athena
1727-1815, Italian, active in Britain
Athena

Engraving after G.B. Cipriani, image size: 11 x 9 inches


Bma Virgo S.S. Nilum, et Barthlomaeum pomo aureo donat
1727-1815, Italian, active in Britain
Bma Virgo S.S. Nilum, et Barthlomaeum pomo aureo donat

Engraving, image size: 15 x 17 inches, Dom Zampieri pinx, N Vanni del

Painting

House in the Pines
1861-1936, American
House in the Pines

Oil on board, 15 x 18 in, unsigned, from the collection of the Fuller Museum of Art, Brockton, Massachusetts. (on loan)

Print

Homestake Foundry
1940-, American
Homestake Foundry

This 1985 image by Barry Moser titled "Homestake Foundry" measures 4 x 7 inches, in an edition of 350 and is pencil signed by the artist on the lower margin. This is a series of 25 images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design. His prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit.

Drawing

White Pine
1872- c.1950, American
White Pine

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club