Rudolph Bleyer

Hailing the Ferry

Etching after Daniel Ridgway Knight, image size 4 x 6 inches, pencil signed, framed.


The Returning Herd

Etching after Voltz, image size 10 x 8 1/8 inches, 1885, pencil signed

Painting

The Breakers
1897-1970, American

Oil on masonite, 20 x 24 inches, c. 1950, signed "A R Herrick," in the original frame built by the artist. Herrick was a well known artist in Westmoreland, NH, specializing in plein air landscapes and seascapes of New England. He was a member of the Copley Society of Boston, the Connecticut Academy of Arts and the North Shore Art Association. This dynamic image of crashing surf was most likely painted near Rockport, MA.

Print

Distention
1922-2000, American

This etching by Leonard Baskin, c. 1965, measures 36 x 14 inches and is pencil signed and titled on the lower margin. An artist proof, printed on a hand-shaped etching plate, using a heavy weight paper. It is #522 in the Fern and O'Sullivan catalog. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. Baskin attended Yale University School of Fine Arts and founded The Gehenna Press. After a three year stint in the Navy, Baskin studied art under the GI Bill, traveling to France and Italy.

Drawing

Monadnock View
1872- c.1950, American

An unfinished sketch of Monadnock by Marlboro artist, Dexter Dawes. Pencil on medium weight paper, measuring 11 x 15 inches.