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Painting

The Village Lane
1855-1929, British

This Victorian landscape by the British artist, Henry Charles Fox is signed and dated on the lower right, sight size is 14 3/4 x 21 1/2 inches, housed in a period, carved gold frame measuring 18 3/4 x 25 1/2 inches. Fox was known for his superb rural landscapes depicting farm animals and country folk going about their daily routines. He was first accepted at the Royal Academy at age 25 in 1880 and was elected a full member of the Royal Society of British Artists in 1889.

Print

The Evangelist
1903-1979, American

Framed lithograph from 1941. Number 27 in an edition of 100. Pencil titled, editioned, signed and dated by the artist. Image measures 13 9/16 x 9 7/8 inches in 21 1/4 x 26 1/2 inch frame. The subject is deMartelly's New Hampshire neighbor, Lizzie Osgood. The Osgood sisters had a reputation for their devotion to the Bible, which deMartelly makes light of in this picture. The banner behind Osgood's head and the black cat in the upper right emphasize Martelly's suspicion of organized religion. Cat: Zink 19. One of his independent regionalist lithographs.

Drawing

The Country Manor
$1600.00
1808-1878, British

This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.