Julius Tanzer
1905-1963, American

Gallery Visit
1905-1963, American

This lithograph by Julius Tanzer measures 15 x 11 inches and is pencil signed and titled on the lower margin. Tanzer was an artist for the Works Project Administration in New York. His remarkable lithographs depict the grit and beauty of everyday life in Depression era New York City. Many of his prints are included in the collections of the Metropolitan Museum of Art and the Smithsonian American Art Museum.


Junk Shop
1905-1963, American

Julius Tanzer's lithograph "Junk Shop" measures 14 x 10 1/2 inches and is pencil signed and titled on the lower margin. Tanzer was an artist for the Works Project Administration in New York. His remarkable lithographs depict the grit and beauty of everyday life in Depression era New York City. Many of his prints are included in the collections of the Metropolitan Museum of Art and the Smithsonian American Art Museum.


Hudson River Ferry
1905-1963, American

Lithograph, image size 10 1/4 x 13 7/8 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and was a member of the WPA.


Woman Before a Mirror
1905-1963, American

Lithograph, image size 12 3/8 x 13 5/8 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and was a member of the WPA.


Ward's Island
1905-1963, American

Lithograph, image size 10 1/4 x 15 1/4 inches, c. 1940, pencil signed and titled. There is a small repaired tear in the lower left corner, about 1/4 inch into the image, but it is barely visible. Tanzer was active in New York during the depression and was a member of the WPA.


Harlem Revival
1905-1963, American

Pencil and graphite on drawing board, image size 13 1/4 x 15 1/2 inches, c. 1940, pencil signed. Tanzer was active in New York during the depression, and was a member of the WPA.


Bridge in Astoria, Long Island
1905-1963, American

Lithograph, image size 10 1/4 x 14 3/8 inches, c. 1940, pencil signed and titled, "Bridge in Astoria, L.I." Tanzer was active in New York during the depression and was a member of the WPA.


Abandoned Warehouse
1905-1963, American

Lithograph, image size 13 1/2 x 17 3/4 inches, pencil signed and titled "Julius Tanzer" l.r. and "Abandoned Warehouse" l.c.


Woman Ironing
1905-1963, American

Lithograph, image size 14 7/8 x 9 5/8 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and was a member of the WPA.


Coal Yard
1905-1963, American

Lithograph, image size 12 1/8 x 16 5/8 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and a member of the WPA.


Harlem River Bridge
1905-1963, American

Lithograph, image size 9 1/2 x 13 3/4 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and a member of the WPA.


Old Farmhouse
1905-1963, American

Lithograph, image size 9 3/4 x 13 7/8 inches, c. 1940, pencil signed and titled "Julius Tanzer" l.r. and "Old Farmhouse" l.c., the artist worked during the depression and was a member of the WPA.


Orchard Beach
1905-1963, American

Lithograph, image size 15 1/8 x 11 1/2 inches, c. 1940, pencil signed and titled, "Julius Tanzer" l.r. and "Orchard Beach" l.c., WPA artist.

Painting

Hog Island, Maine
1881-1942, American

Oil on canvas, sight size 17 x 12 inches, 1918,unsigned, attributed to Joseph Elliot Enneking, an American Impressionist painter known for his New England landscapes. There is a hand written title "Hog Island, Maine" and date "June 27 1918" on the bottom edge of the canvas and on the back but no clear signature. Period Gilt Frame

Print

Golden Dreams

Etching, impression from the World's Columbian Exposition Chicago, Illinois 1893, after the painting by P. de Tommasi, image size 12 x 7 3/4 inches, plate signed

Drawing

White Pine
1872- c.1950, American

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club