Aiden Lassell Ripley
1896-1969, American

Plowing the Fields
1896-1969, American
Plowing the Fields

Charcoal on illustration board, image size 6 1/8 x 9 1/4 inches, estate stamp on back.


Snipe At Dawn
1896-1969, American
Snipe At Dawn

Etching, drypoint, image size 9 x 11 3/4 inches, c. 1940, pencil signed and titled, from a small lifetime printing.


Duck Hunter
1896-1969, American
Duck Hunter

Etching, image size 7 1/4 x 9 3/4 inches, pencil signed l.r. "A. Lassell Ripley" and titled "Duck Hunter" l.l. A man and his dog wait for mornings first light.


Geese
1896-1969, American
Geese

Etching, image size 8 3/4 x 13 7/8 inches, c. 1940, pencil signed and titled. Provenance: Haley and Steele, Boston. A flock of canada geese land among the marsh grass in this dramatic etching, a great example of how well Ripley managed to capture the movement and life of his wildfowl subjects.


Lone Woodcock
1896-1969, American
Lone Woodcock

Etching, image size 8 5/8 x 13 7/8, c. 1940, pencil signed and titled. Provenance: Haley and Steele, Boston. A woodcock is outlined against the clear sky as it takes flight from a slender, leafless branch on a late fall day. This etching features the delicate line work and detail for which Ripley was known.


Pheasants
1896-1969, American
Pheasants

Etching, image size 9 1/4 x 13 inches, c. 1940, pencil signed and titled. Provenance: Haley and Steele, Boston. Three pheasants take flight from a meadow of tall grasses and flowers in this beautifully detailed etching.


A Covey of Quail
1896-1969, American
A Covey of Quail

Etching, image size 8 1/2 x 13 3/4 inches, 1947, pencil signed, dated and titled. Provenance: Haley and Steele, Boston. A covey of quail erupt from the bushes in this fine etching by sporting artist Aiden Lassell Ripley.

Painting

Springtime, Chesham NH
1849-1923, American
Springtime, Chesham NH

Oil on canvas, 18 x 24 inches, c. 1890, signed "WP Phelps", in a period gilt frame. Phelps was known as the "Painter of Monadnock." He lived most of his life in Dublin, NH, with the exception of several years he spent studying art in Europe. He painted many scenes of the area landscape of farms, fields and forests, most of which set against the backdrop of the majestic Mount Monadnock.

Print

The Bathers
The Bathers

Etching, image size 8 3/4 x 12 3/8 inches, c. 1930, edition of 100, indistinctly signed l.r.

Sculpture

Curvilinear
1965-, American
Curvilinear

Ceramic plate, 13 inches across