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20th Century European

Portrait of a Woman

Etching and aquatint, image size 12 3/8 x 8 3/8 inches, illegibly signed and inscribed in pencil.


Woman With Top Hat

Etching, image size 6 x 4 inches, illegible pencil signature l.l.


Venice Cathedral

Etching, image size 11 1/2 x 7 5/8 inches, c. 1920, on watermarked Van Gelder laid type paper, ineligibly signed in pencil.


The Waiting Room

Etching, image size 7 x 9 7/8 inches, ineligibly signed and titled in pencil.


Jethro's Daughter

Woodcut, image size 13 3/4 x 13 1/2 inches, ineligibly signed and titled in pencil (possibly German?).


Village Way

Lithograph, image size 9 x 12 3/4 inches, illegible pencil signature l.r. "3/22 ?????".


The Bathers

Etching, image size 8 3/4 x 12 3/8 inches, c. 1930, edition of 100, indistinctly signed l.r.


Starnbergersee

Etching, image size 9 1/2 x 9 3/8 inches, plate signed l.r. "N N" and pencil signed l.r. and titled l.l. "Starnbergersee".


Magdalene College, Oxford

Etching, image size 8 x 5 inches, indistinct pencil signature, l.r.


On the Riverbank

Etching, image size 5 3/8 x 8 3/8 inches, c. 1920, unsigned, "#1" written on the back of the sheet in pencil.

Painting

Incredible British Tonalist Landscape
1820-1845, Active, British

Oil on canvas, 16 x 24 inches, signed and dated 1851 lower right. Although initially known for his sporting scenes his work really excels in his atmospheric landscapes. The powerful light of the sunset reflecting off the dark, rugged landscape suggests qualities similar to Joseph M.W. Turner, the father of British Romanticism. The human in this scene is of small consequence compared to the majestic beauty surrounding her. Jones exhibited work at the British Institute, The Royal Academy and the Royal Society of British Artists.

Print

At the Well
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Drawing

All-y, All-y In Free
1932-2009, American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left