Joseph Theodore Richommel
1785 - 1849, French

Marc-Antoine Raymondi
1785 - 1849, French

Engraving after Raphael. 1840. Randall 9456. Image size 11 5/8 x 9 in, sheet 15 5/8 x 11 1/8 in.


La Vierge de Lorette
1785 - 1849, French

Engraving; provenance Fogg Museum, Gray3315; Engraved in 1813 after a repetition attributed to Giulio Romano. Legend of this repetition inscribed "Dedie au Chevalier Regnault Membre de L'Institut d'Honeur. There are twenty repetitions and copies known


Les Cinq Saints
1785 - 1849, French

Engraving, provenance Fogg Museum, Gray:3312; after a picture by a pupil of Raphael from Marc-Antoino's engraving with slight changes; circa 1819.Engraved for the Musee Francais

Painting

Walden
1870-1959, American

Watercolor, image size 9 1/8 x 5 1/2 inches, signed l.r. "J. Watson Davis", publishers remarks are below image in pencil(not seen) and are taken from Henry David Thoreau's book "Walden" from the chapter "The Bean field" and read "I cherish them, I hoe them (early and late), I have an eye to them (and this is my) days work".

Print

Les Bons Bourgeois
1808-1879, French

Lithograph, image size 12 x 9 inches, 1847, D. 1543, plate signed "h.D." l.l., this is from the comic journal of the time, "Le Charivari", published Sept. 28, 1847, which Daumier used as a venue for his views on the corrupt social and political life of the elite. For example, through the use of satire he portrayed the king as a money eating "Gargantua" which landed him in jail for six months. He was referred to as the "Michelangelo of caricature" by his fellow artists creating over 500 paintings and 1000 drawings in his lifetime.

Drawing

Castle Path
fl. 1875-1889, American

Watercolor, image size 14 x 10 1/8 inches, dated 1885 and signed Geo. C. Bell