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Simon Francois Ravenet, The Elder
1706 - 1774, French

Charity
1706 - 1774, French

Engraving after Carlo Cignani; JWRandall 9409; #2pub.March 1763 by Boydell London; image size 13 12/ x 19 3/8 inches; paper size 16 x 20 1/2 inches


Painting and Design
1706 - 1774, French

Engraving after Guido Reni, Pub: March 25, 1769 by Boydell London, Fogg Museum provenance, Randall Collection #9415; image size 14 1/4 x 14 13/16 inches, framed


The Death of Seneca
1706 - 1774, French

Engraving, after Luca Giordano, 1768; pub.Boydell London; No.50; image size 17 1/4 x 22 3/4 inches; plate size 18 7/8 x 23 3/4 inches; paper size 19 5/16 x 24 1/4 inches; prov.Randall Coll:9411


The Prodigal Son
1706 - 1774, French

Engraving, after the painting by Salvatore Rosa in the Imperial Gallery St. Petersburg; 1st state, pub. Nov.24,1767 No. 41,Boydel, London for the Houghton Gallery; plate size 20 1/4 x 14 7/8 inches; image size 18 1/4 x 14 1/16 inches;

Painting

Salt Bark Leaving Harbor
1868-1924, American

Oil on canvas, 24 x 36 inches, 1903, signed and dated lower right, framed.

Print

Distention
1922-2000, American

This etching by Leonard Baskin, c. 1965, measures 36 x 14 inches and is pencil signed and titled on the lower margin. An artist proof, printed on a hand-shaped etching plate, using a heavy weight paper. It is #522 in the Fern and O'Sullivan catalog. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. Baskin attended Yale University School of Fine Arts and founded The Gehenna Press. After a three year stint in the Navy, Baskin studied art under the GI Bill, traveling to France and Italy.

Drawing

Harlem Revival
1905-1963, American

Pencil and graphite on drawing board, image size 13 1/4 x 15 1/2 inches, c. 1940, pencil signed. Tanzer was active in New York during the depression, and was a member of the WPA.