Frank Benson
1862-1951, American

Rocky River
1862-1951, American

This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.


Here They Come
$1200.00
1862-1951, American

A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.


Hovering Geese
$1200.00
1862-1951, American

A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Flying Widgeon
1862-1951, American

A very fine sporting etching by Frank Benson, this image measures 9 3/4 x 14 3/4 inches, published in 1924, cat: Ordeman-231, pencil signed below the image, titled on the lower edge of the sheet. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.


Black Ducks No. 2
1862-1951, American

A rare working proof by American sporting artist Frank Benson, this etching measures 9 7/8 x 7 7/8 inches, published in 1922, cat: Ordeman-165, proof C-2, pencil signed below the image, titled "Black Ducks No 2" and inscribed "C-2" in the lower margin. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Marshes at Evening
1862-1951, American

This is a very rich impression of a great sporting etching by Frank Benson. The image size is 9 x 11 inches, published in 1918 in an edition of 150, cat: Ordeman-131, pencil signed and numbered "6". This etching is titled "Marshes at Evening" in the Ordeman catalog, although it is titled in the artist's hand on the lower margin as "Evening in the Marshes". In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist.


Turnstones
$1200.00
1862-1951, American

A superb, richly inked original etching with drypoint by American sporting artist Frank Benson. The image size is 7 7/8 x 11 7/8 inches, published in 1928 in an edition of 150 proofs on Whatman laid type paper, pencil signed. This image is # 283 in the Ordeman catalog. Frank Benson is widely considered the founder of the American sporting etching. In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist.


Over the Tree Tops
1862-1951, American

This rare 1915 Benson etching measures 5 x 7 7/8 inches. It is signed, numbered and titled on the lower margin. In the Ordeman catalogue it is #84. Printed on Normandy vellum, only 54 proofs were made of which fifty are signed and numbered. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Morning Flight
1862-1951, American

This expressive drypoint etching of ducks taking flight by Frank Benson was published in 1918 in an edition of 150. It is pencil signed on the lower margin. This image measures 7 7/8 x 9 7/8 inches with wide margins on a sheet size of 12 1/2 x 15 3/8 inches. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known.


Pintails Passing
$1400.00
1862-1951, American

Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper.


The Passing Flock
$1250.00
1862-1951, American

Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark


Red Heads No. 2
$1250.00
1862-1951, American

Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226

Painting

Heavy Surf at Sunset
1832-1895, American

This is a beautiful luminist style seascape by Mauritz Frederik Hendrik De Haas, one of the preeminent marine and landscape painters of the 19th century. Oil on canvas, 24 x 40 inches, c. 1880, signed on the lower left, in an ornate period gilt frame. Born in Holland, De Haas studied at the Academy of Fine Arts and at The Hague. At 27 years old he immigrated to the US and opened a studio in NYC. He painted exquisite marine and landscape views, and was known for his masterful ability to capture the full range of light reflecting off a stormy surf or the moon reflecting off a calm sea.

Print

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

Drawing

Storm
20th Century, American

A very fine scratchboard image of a stormy coastline, sight size 2 3/8 x 3 3/8 inches, 1948, initialed and dated in the image, pencil signed on the window mat, framed.