Frank Benson
1862-1951, American

Nascaupee Indian
1862-1951, American

Etching measure 8 x 6 inches, printed on Whatman & Hodamura laid-type paper. ed. 150. Catalog Ordeman 210. Pencil signed.


The Bridge
$1800.00
1862-1951, American

Original drypoint etching on copper by American artist Frank Benson. Titled: "The Bridge", created and printed in 1923 in an edition of 150. The image measures 13 3/4X10 3/4 inches.
Printed on Whatman Paper. This image appears in the Ordeman book as image number 227.
A very rich impression, good use of plate tone to show the water. Excellent condition never framed or matted. deckeled edges on two sides of the sheet.


Bunch of Bluebills
1862-1951, American

This etching with drypoint on copper by Frank Benson measures 4 x 5 inches, pencil signed, 1931, cat: Ordeman-312, edition of 300. Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.


Ducks Alighting
1862-1951, American

A 1921 etching by the artist Frank Benson measuring 5 7/8 x 4 1/2 inches, pencil signed, cat: Ordeman-207, edition of 369, plate made for the Brooklyn Society of Etchers for distribution among its associate members. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.


Rocky River
1862-1951, American

This is a very rare original etching by American sporting artist Frank W Benson. The image size is 7 7/8 x 9 7/8 inches, published in 1921 in an edition of 100, cat: Ordeman-205, pencil signed, titled in the lower margin. There is some old masking tape residue in the margins, but this is outside of the image area and will be covered by a window mat. This print is quite scarce, and an unusual subject for Benson; in most of his images the landscape serves as a backdrop for wildfowl or hunters but in this etching he focuses on the land and river, creating an atmospheric summer scene.


Here They Come
$1200.00
1862-1951, American

A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.


Hovering Geese
$1200.00
1862-1951, American

A great sporting etching by Frank Benson, this image measures 14 x 10 7/8 inches, 1922, cat: Ordeman-213, pencil signed. A very rich impression on a medium weight laid type paper. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Flying Widgeon
1862-1951, American

A very fine sporting etching by Frank Benson, this image measures 9 3/4 x 14 3/4 inches, published in 1924, cat: Ordeman-231, pencil signed below the image, titled on the lower edge of the sheet. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.


Black Ducks No. 2
1862-1951, American

A rare working proof by American sporting artist Frank Benson, this etching measures 9 7/8 x 7 7/8 inches, published in 1922, cat: Ordeman-165, proof C-2, pencil signed below the image, titled "Black Ducks No 2" and inscribed "C-2" in the lower margin. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Marshes at Evening
1862-1951, American

This is a very rich impression of a great sporting etching by Frank Benson. The image size is 9 x 11 inches, published in 1918 in an edition of 150, cat: Ordeman-131, pencil signed and numbered "6". This etching is titled "Marshes at Evening" in the Ordeman catalog, although it is titled in the artist's hand on the lower margin as "Evening in the Marshes". In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist.


Turnstones
$1200.00
1862-1951, American

A superb, richly inked original etching with drypoint by American sporting artist Frank Benson. The image size is 7 7/8 x 11 7/8 inches, published in 1928 in an edition of 150 proofs on Whatman laid type paper, pencil signed. This image is # 283 in the Ordeman catalog. Frank Benson is widely considered the founder of the American sporting etching. In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist.


Over the Tree Tops
1862-1951, American

This rare 1915 Benson etching measures 5 x 7 7/8 inches. It is signed, numbered and titled on the lower margin. In the Ordeman catalogue it is #84. Printed on Normandy vellum, only 54 proofs were made of which fifty are signed and numbered. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Morning Flight
1862-1951, American

This expressive drypoint etching of ducks taking flight by Frank Benson was published in 1918 in an edition of 150. It is pencil signed on the lower margin. This image measures 7 7/8 x 9 7/8 inches with wide margins on a sheet size of 12 1/2 x 15 3/8 inches. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known.


Pintails Passing
$1400.00
1862-1951, American

Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper.


The Passing Flock
$1250.00
1862-1951, American

Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark


Red Heads No. 2
$1250.00
1862-1951, American

Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226

Painting

Mountain Landscape
1844-1942, American

This watercolor landscape by Horace Burdick measures 4 7/8 x 6 3/4 inches and is signed on the lower left and matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists estate.

Print

Windy Sleeves
1900-1971, British

This 14 3/8 x 11 5/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.

Drawing

Summer Meadow
1872- c.1950, American

"Summer Meadow" by Dexter Dawes measures 12 x 9 inches. Dawes summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs, drawings and paintings. He belonged to a number of associations including the National Arts Club.