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Frank Benson
1862-1951, American

The Sheldrake's Brood
1862-1951, American

A fine, richly inked original etching by Frank Benson, image size 4 3/8 x 5 7/8 inches, published in 1926 in an edition of 150, cat: Ordeman- 258, pencil signed. Frank Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Turnstones
$1200.00
1862-1951, American

A superb, richly inked original etching with drypoint by American sporting artist Frank Benson. The image size is 7 7/8 x 11 7/8 inches, published in 1928 in an edition of 150 proofs on Whatman laid type paper, pencil signed. This image is # 283 in the Ordeman catalog. Frank Benson is widely considered the founder of the American sporting etching. In his catalog of Benson's prints, Ordeman quotes John Taylor Arms, who said of Benson, "[He] has achieved the distinction of founding a school- that of the modern sporting artist.


Over the Tree Tops
1862-1951, American

This rare 1915 Benson etching measures 5 x 7 7/8 inches. It is signed, numbered and titled on the lower margin. In the Ordeman catalogue it is #84. Printed on Normandy vellum, only 54 proofs were made of which fifty are signed and numbered. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston.


Morning Flight
1862-1951, American

This expressive drypoint etching of ducks taking flight by Frank Benson was originally done in 1918 in an edition of 150. It is pencil signed on the lower margin. This image measures 7 7/8 x 9 7/8 inches with wide margins on a sheet size of 12 1/2 x 15 3/8 inches. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known.


Yellowlegs at Dusk
1862-1951, American

Etching, image size 7 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-279, pencil signed.


Pintails Passing
$1400.00
1862-1951, American

Etching, drypoint, image size 15 x 9 7/8 inches, 1930, trial proof before the published state of 150, Ordeman #300, pencil signed l.l. "Frank W. Benson", printed on Whatman paper. "Guild of Boston Artist" label on back.


Rainbow Cove
1862-1951, American

Etching, rare Trial Proof, image size 7 3/4 x 9 3/4 inches, 1927, Ordeman 263, pencil signed.


Dawn
1862-1951, American

Etching, image size 6 3/4 x 9 3/4 inches, 1924, edition of 271, Ordeman 232, pencil signed.
Presented to the Cleveland Print Club.


The Passing Flock
$1250.00
1862-1951, American

Etching, image size 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark


Red Heads No. 2
$1250.00
1862-1951, American

Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226

Painting

The Cove
$1200.00
1875-1962, American

This is a vibrant original watercolor by American artist Gordon Grant. The sight size is 14 1/2 x 21 1/4 inches, signed lower left, in a very fine gilt frame, identified with a label from Vose Galleries on the back of the frame. Gordon Grant was born in California and sent to Great Britain for his education. He worked as a staff artist for New York World and Harper's Weekly, covering both the Boer War and the Mexican Revolution, but became most widely known for his marine paintings and lithographs.

Print

The Walls of Rome
1846-1897, French

Etching after Decamps, image size 5 1/2 x 6 3/4 inches, 1883, plate signed.

Drawing

Castle Path
fl. 1875-1889, American

Watercolor, image size 14 x 10 1/8 inches, dated 1885 and signed Geo. C. Bell