Morris Gordon
b. 1911, American

Heavenly Light
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Secret Locket
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Angel With Torches
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Offering
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Handshake
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Midnight Ride
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The High Jump
b. 1911, American

Woodblock, image size 4 x 6 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Horseshoes
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed his images on the paper window mat rather than the sheet itself.


The Haywagon
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Seedling
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Plowing the Field
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Scarecrow
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Nebraska Farmer
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Sunday Morning
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Barndance
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the window mat rather than the sheet itself.


Cottonwood Tree
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed and pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.

Painting

The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.

Print

Schatten  1   Erste Liebe
1897-1924, Hungarian

Etching, image sizes 7 x 5 1/8 inches, 1920, eight original etchings in a portfolio, 12/500, edition in pencil l.l.

Drawing

Nude Study, Reclining
1893-1986, American

Drawing, image size 8 3/4 x 11 5/8 inches, pencil signed