Morris Gordon
b. 1911, American

Heavenly Light
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Secret Locket
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Angel With Torches
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Offering
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Handshake
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Midnight Ride
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The High Jump
b. 1911, American

Woodblock, image size 4 x 6 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Horseshoes
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed his images on the paper window mat rather than the sheet itself.


The Haywagon
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Seedling
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Plowing the Field
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Scarecrow
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Nebraska Farmer
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Sunday Morning
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Barndance
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the window mat rather than the sheet itself.


Cottonwood Tree
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed and pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.

Painting

Setting Sail, Early Morning
1850-1921, American

Oil on canvas, 12 x 20 inches, 1881, signed and dated, in a period gilt frame. As a young man, Johnson was a sailor and one of only twelve survivors aboard a ship that caught fire and sank of the coast of South Africa. He returned to his native Boston, Massachusetts, and studied art with marine painter William E. Norton. Johnson went on to become very well known for his nautical and marine paintings in the later part of the 19th century.

Print

Phantastic Skeleton
1908-1967, German

Lithograph, image size 9 3/4 x 11 1/2 inches, pencil signed.

Drawing

Into the Woods
1872- c.1950, American

This mixed media drawing by Dexter Dawes measures 11 3/8 x 10 inches on medium weight paper. Dawes summered in southern NH with its' majestic views of Mt. Monadnock, where many of his inspirations for his drawings, paintings and lithographs came from.