Morris Gordon
b. 1911, American

Heavenly Light
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Secret Locket
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Angel With Torches
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Offering
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Handshake
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Midnight Ride
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The High Jump
b. 1911, American

Woodblock, image size 4 x 6 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Horseshoes
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed his images on the paper window mat rather than the sheet itself.


The Haywagon
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Seedling
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Plowing the Field
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Scarecrow
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Nebraska Farmer
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Sunday Morning
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Barndance
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the window mat rather than the sheet itself.


Cottonwood Tree
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed and pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.

Painting

Still Life With Flowers
1872- c.1950, American

This pastel still life by Dexter Dawes measures 21 1/8 x 14 1/8 inches and is signed by the artist in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

Last Chance
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Drawing

Christmas Card 1941
1872- c.1950, American

Ink and pencil drawing, 1941, image size 10 7/8 x 7 inches.