Morris Gordon
b. 1911, American

Heavenly Light
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Secret Locket
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Angel With Torches
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Offering
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Handshake
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Midnight Ride
b. 1911, American

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The High Jump
b. 1911, American

Woodblock, image size 4 x 6 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Horseshoes
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed his images on the paper window mat rather than the sheet itself.


The Haywagon
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Seedling
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.


Plowing the Field
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


The Scarecrow
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Nebraska Farmer
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Sunday Morning
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.


Barndance
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the window mat rather than the sheet itself.


Cottonwood Tree
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed and pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.

Painting

Near Aber, North Wales
1864-1930, British

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame.

Print

Washington's First Interview with Mrs. Custis
1827-1889, American

Engraving by G. R. Hall after the painting by John W. Ehninger, image size 17 x 21 3/4 inches, c. 1860, titled, with both artist's names printed below the image.

Drawing

Study for the Angel's Head of DaVinci
1893-1986, American

Drawing, gold and silverpoint, image size 9 3/4 x 7 3/4 inches, signed and titled l.l. "silverpoint study for the angel's head of DaVinci", "Harriton", on artist board.