Frank Duveneck
1848-1919, American

Shipping on the Guideca
1848-1919, American

Etching, image size 9 3/4 x 18 3/8 inches, 1883, restrike 1915 by the Cincinnati Museum, cat. Poole-25, unsigned, Cincinnati Museum Association stamp on reverse.


San Pietro in Castello
1848-1919, American

Etching, 11 x 15 3/8 inches, 1883, restrike 1915 by the Cincinnati Museum, cat. Poole-18, Cincinnati Museum Association stamp on reverse.


Grande Canal, Venezia
1848-1919, American

Etching, image size 11 1/4 x 19 inches, 1883, plate signed.

Painting

Cascade de Glandieu

Watercolor on paper, image size 14 1/4 x 18 1/4 inches, laid down on board, unsigned but information on back in French denotes location.

Print

Homestake Foundry
1940-, American

This 1985 image by Barry Moser titled "Homestake Foundry" measures 4 x 7 inches, in an edition of 350 and is pencil signed by the artist on the lower margin. This is a series of 25 images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design. His prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit.

Drawing

Boulder Landscape
1848 - 1921, American

Watercolor, image size 7 1/4 x 9 inches.

McAuliffe was active in the late 19th century and produced public works, especially in Everett, Mass: Roman Catholic Cathedral, St John's, and Parlin Library. His specialties were maritime and religious subjects.