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Frank Duveneck
1848-1919, American

Shipping on the Guideca
1848-1919, American

Etching, image size 9 3/4 x 18 3/8 inches, 1883, restrike 1915 by the Cincinnati Museum, cat. Poole-25, unsigned, Cincinnati Museum Association stamp on reverse.


San Pietro in Castello
1848-1919, American

Etching, 11 x 15 3/8 inches, 1883, restrike 1915 by the Cincinnati Museum, cat. Poole-18, Cincinnati Museum Association stamp on reverse.


Grande Canal, Venezia
1848-1919, American

Etching, image size 11 1/4 x 19 inches, 1883, plate signed.

Painting

Country Life
19th Century, British

Oil on canvas, 11 3/4 x 18 inches, 1874, signed and dated "E. Partridge 1874," l.r. In an ornate period frame.

Print

Evening on the Schroon, 1880
1846-1938, American

Etching, sight size 8 1/5 x 15 1/2 inches, 1880, second state, plate signed and dated l.r. "S.Parrish, 1880", cat: Schneider-19, first time Parrish etches the date into the plate, becomes one of Parrish's most popular prints in his Adirondack series.

Drawing

Backview
1911-1992, American

This signed, charcoal on paper, portrait is by Paul Lewis Clemens. Sight size is 16 5/8 x 13 1/8 inches and is presented in a wooden frame. It is identified and titled on a label from James Vigeveno Galleries, Westwood Hills, Los Angeles, California, on the paper backing. A portrait, figure, genre and garden painter, Clemens studied at the University of Wisconsin with Oscar Hagen and the Art Institute of Chicago. He is best known for his movie star portraits of the Hollywood era in the 40s, but was also gifted for other styles, from French impressionism to Dutch linearity.