Nicolas de Larmessin
1684 - 1756, French

Claude Halle
1684 - 1756, French

Engraving after Le Gros, 1730, image size 13 3/4 x 9 7/16 in, sheet 15 1/4 x 10 3/4 in, Randall 3730, Fogg Museum provenance


Philippe Vleughels
1684 - 1756, French

Engraving after Champagne, 1732, image size 13 7/8 x 9 5/8 in, sheet 14 3/4 x 10 5/8 in, Randall 3728, Fogg Museum provenance


Philippe de Lamet
1684 - 1756, French

Engraving after Merelle. Randall 13952. Image size 16 1/4 x 12 5/8 in, sheet 16 5/8 x 12 3/4 in.


The Vision of Ezekiel
1684 - 1756, French

Engraving after Raphael; prov.Randall 3739;According to Thies "Baron Rumohr (Italienische Forschungen, III.p.119) considers it, mentioning this very engraving, a very fine repetition or duplicate, and by no means a mere copy, of the well known picture, for the Cabinet Crozat, Np 28."

Painting

The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.

Print

Old Nan
1884-1928, British

Print 58 in an edition of 75. Pencil signed in the lower left. C. 1920. Plate measures 7 1/4 x 6 3/4 on 15 1/2 x 9 3/4 laid type paper.

Drawing

Nude Study, Reclining
1893-1986, American

Drawing, image size 8 3/4 x 11 5/8 inches, pencil signed