Gerard Audran
1640-1703, European

The Triumph of David
1640-1703, European

This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun. The middle plate contains a paragraph in Latin by Girardus Andranus Gallus.


Ego Sum Pastor Bonus
1640-1703, European

Engraving after Mignard, image size: 12 1/4 x 8 7/8 inches, sheet size: 18 1/2 x 12 3/4 inches, Fogg Museum provenance, Randall collection #4065


Aeneas Carrying His Father
1640-1703, European

Engraving after Dominicani, image size: 13 1/2 x 9 7/8 inches, sheet size: 17 1/8 x 11 3/8 inches, Fogg Museum Provenance, J W Randall collection # 4020


The Martyrdom of St. Agnes
1640-1703, European

Engraving, image size: 26 1/2 x 15 1/4 inches, prov. JW Randall, Coll. 4022, 17th Century impression

Painting

Portrait of Miss Davenport
1856-1939, German

Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/M√ľnchen" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Print

Charles, Duc de Berry
1640 - 1707, French

Engraving after de Troy. Randall 1731. Image size 15 1/8 x 11 1/2 in, sheet 16 5/8 x 12 15/16 in.

Drawing

Waterside Study
1848 - 1921, American

Watercolor, image size 6 x 8 1/2 inches. McAuliffe was active in the late 19th century and produced public works especially in Everett, Mass: Roman Catholic Cathedral, St John's; Parlin Library. His specialties were maritime and religious subjects.