John W. Gregory
1903-1992, American

A Provincetown Night
1903-1992, American

Lithograph printed on photo paper, possibly a photographic transfer, image size 9 1/4 x 8 inches, edition of 20, 1970, hand signed, numbered and titled in ink, framed.


Provincetown Bar
1903-1992, American

Lithograph printed on photo paper, possibly a photographic transfer, image size 9 5/8 x 12 1/8 inches, 1945, hand signed, dated and titled in ink.


Eventide
1903-1992, American

Black and white photograph, image size 9 5/8 x 12 1/2 inches, hand signed and titled in ink. Called the "Ansel Adams of Cape Cod," Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan. In the early 1930s he moved to Provincetown, MA and started his photography business, becoming well-known for his Cape Cod landscapes and portraits of the local people. In 1936 he was named one of the 73 most noteworthy graphic artists in the country and in 1948 he had a solo show of his work at the Smithsonian Museum.


Gathering Storm
1903-1992, American

Black and white photograph, image size 9 7/8 x 13 inches, hand signed and titled in ink. Called the "Ansel Adams of Cape Cod," Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan. In the early 1930s he moved to Provincetown, MA and started his photography business, becoming well-known for his Cape Cod landscapes and portraits of the local people. In 1936 he was named one of the 73 most noteworthy graphic artists in the country and in 1948 he had a solo show of his work at the Smithsonian Museum.


Calm Harbor
1903-1992, American

Black and white photograph, image size 9 1/4 x 12 3/4 inches, hand signed and titled in ink. Called the "Ansel Adams of Cape Cod," Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan. In the early 1930s he moved to Provincetown, MA and started his photography business, becoming well-known for his Cape Cod landscapes and portraits of the local people. In 1936 he was named one of the 73 most noteworthy graphic artists in the country and in 1948 he had a solo show of his work at the Smithsonian Museum.


Portrait of a Fisherman
1903-1992, American

Black and white photo, sight size 12 3/8 x 9 5/8 inches, hand signed in ink on the window mat, framed. Called the "Ansel Adams of Cape Cod," Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan. In the early 1930s he moved to Provincetown, MA and started his photography business, becoming well-known for his Cape Cod landscapes and portraits of the local people. In 1936 he was named one of the 73 most noteworthy graphic artists in the country and in 1948 he had a solo show of his work at the Smithsonian Museum.


Low Tide, Provincetown
1903-1992, American

Black and white photograph, image size 9 7/8 x 13 inches, hand signed in ink. Called the "Ansel Adams of Cape Cod," Gregory was born in Brooklyn, NY and studied at the Art Students League with John Sloan. In the early 1930s he moved to Provincetown, MA and started his photography business, becoming well-known for his Cape Cod landscapes and portraits of the local people. In 1936 he was named one of the 73 most noteworthy graphic artists in the country and in 1948 he had a solo show of his work at the Smithsonian Museum.

Painting

On the Road to the Farmhouse
1838-1909, American

This c. 1870's landscape of life on the farm by Alfred Cornelius Howland measures 17 x 13 inches and is signed on the l.l. Oil on canvas, laid on board and framed in a gold period gilt frame. Howland was born in Walpole, NH in 1838. Early in his career he learned the art of engraving and studied drawing and lithography in Boston. At the age of 22 he traveled to Germany to study at the Royal Academy and from there to Paris, where he studied with the talented Barbizon artists, Corot, Millet and Rousseau whose tonalist influence affected Howland's style for the remainder of his career.

Print

Coast of New Brunswick, 1882
1846-1938, American

Etching, image size 21 1/4 x 35 1/4 inches, 1882, second state of two, Schneider #75, plate signed l.l. and pencil signed l.r., one of two large etchings by Parrish.

Drawing

Winter Scenes
1872- c.1950, American

Two nice sketches of houses with snow-covered rooftops by Dexter Dawes. They both measure 4 3/4 x 5 3/4 inches on a medium weight drawing paper.