Kenneth Lauder
1916-2004, British

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."


Cambrians
1916-2004, British

Watercolor, sight size 5 1/8 x 9 1/8 inches, 1972, signed by the artist l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Cambrians is a largely unspoiled area of Mid Wales. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Painting

The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.

Print

Drawing

Landscape at Twilight
1864-1929, American

pastel, sight size 9 X 12 1/4 inches, c. 1910, unsigned, attributed to AC Goodwin. Spring twilight landscape. (M)