Kenneth Lauder
1916-2004, British

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."


Cambrians
1916-2004, British

Watercolor, sight size 5 1/8 x 9 1/8 inches, 1972, signed by the artist l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Cambrians is a largely unspoiled area of Mid Wales. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Painting

Hog Island, Maine
1881-1942, American

Oil on canvas, sight size 17 x 12 inches, 1918,unsigned, attributed to Joseph Elliot Enneking, an American Impressionist painter known for his New England landscapes. There is a hand written title "Hog Island, Maine" and date "June 27 1918" on the bottom edge of the canvas and on the back but no clear signature. Period Gilt Frame

Print

The Haywagon
b. 1911, American

Chiaroscuro woodblock, image size 7 x 5 inches, 1937, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.

Drawing

Meadow Sketch
1872- c.1950, American

Very nice sketch of a tree, standing alone in a meadow, with clouds in the background. This Dexter Dawes pencil sketch is dated 1913 and measures 6 x 9 inches and has sketching notes in the artists' hand on the lower margin.