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Benoit Audran
1661-1721, European

Le Galant
1661-1721, European

This engraving by Benoit Audran II measures 14 1/2 x 11 inches after a painting by A. Watteau.


Venus At Her Toilette
1661-1721, European

Engraving after Albani, image size 10 3/4 x 13 3/4 inches, plate size 11 3/4 x 13 5/8 inches. Provenance: Schwerin Museum, Hamburg.


Portrait of Henry de Beringhen
1661-1721, European

Engraving after Nanteuil, designed in 1663, engraved 1710, image size: 14 1/8 x 10 1/8 inches, Fogg Museum provenance, J W Randall collection #4049


Presentation of the Virgin in the Temple
1661-1721, European

Engraving after Ch. LeBrun, image size: 20 x 15 1/2 inches, Fogg Museum provenance, Gray collection #87. Benoit Audran, The Elder was the pupil of Gerard Audran, his uncle.


Moses Defending the Daughters of Jethro
1661-1721, European

Engraving after LeBrun, image size 20 5/8 x 24 7/8 inches, sheet size 21 7/8 x 25 1/2 inches, LeBL. 9. Fogg Museum provenance, JW Randall Collection #4045. Framed.

Painting

The Road Home
1829-1913, Canadian/American

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe (c.1870) under Charles-François Daubigny (see AskART) probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli (see AskART) in Naples, Italy.

Print

Night Song
1864-1940, French

Etching, image size 15 1/4 x 11 inches, edition of 120, pencil signed.

Drawing

Dover Market
1915-2010, Lithuanian-American

This pencil drawing by Jack Levine measures 5 1/2 x 5 inches. It is pencil signed on the lower right. Levine was best known for his satires on modern life and political corruption. Born in South Boston into a large family, his drawing abilities were apparent at an young age. At 14 he entered a painting program at Harvard and a few years later was employed in the Works Progress Administration. His lower class childhood was often a subject of his paintings and he became known for "telling it like it is".