Gilles Rousselet
1614-1686, French

Hercules Sitting on a Burning Pyre on Mt. Eta
1614-1686, French

Engraving after Reni Guido, image size 15 5/16 x 11 3/16 in, plate size 17 x 11 5/8 in, Randall Coll. #8835, Fogg Museum provenance


The entombment
1614-1686, French

Engraving after Titian, two prints:Prov.Gray:3469;prov.Randall 8841, blind stamp Louvre; image size 15 x 217/8 inches; Thies: Rousselet, a designer and engraver born in 1614, studied the works of C. Bloemaert. A copy of Titian's Louvre painting was made for Mamfrini Gallery in Venice - and Schiavoni made an engraving of it. Thus two pair of the image exist.

Painting

Setting Sail, Early Morning
1850-1921, American

Oil on canvas, 12 x 20 inches, 1881, signed and dated, in a period gilt frame. As a young man, Johnson was a sailor and one of only twelve survivors aboard a ship that caught fire and sank of the coast of South Africa. He returned to his native Boston, Massachusetts, and studied art with marine painter William E. Norton. Johnson went on to become very well known for his nautical and marine paintings in the later part of the 19th century.

Print

Dispute
1910-1985, American

Lithograph, sight size 9 1/2 x 12 1/4 inches, c. 1937, plate signed l.l. "E.H. Hart", pencil signed l.r. and titled l.l. "Ernest H. Hart." and "Dispute", AAA label on back with artist provenance.

Drawing

Castle Path
fl. 1875-1889, American

Watercolor, image size 14 x 10 1/8 inches, dated 1885 and signed Geo. C. Bell