Now Located in Peterborough, NH!

Our new showroom in Peterborough NH in the center of Depot Square is now open! Please stop by and visit us!

Honore Daumier
1808-1879, French

Types Parisiens
1808-1879, French

Lithograph, image size 9 x 11 inches, plate signed "h.D." l.l., c. 1847. "Chez Bauger & C. R. du Croissant, 16" l.l. Daumier used the comic journal of the time, "Le Charivari", published in 1847, as a venue for his satirical views on the corrupt social and political life of the elite. He was referred to as the "Michelangelo of caricature" by his fellow artists creating over 500 paintings and 1000 drawings in his lifetime, framed.


Croquis Aquatiques
1808-1879, French

Lithograph, image size 8 x 10 inches, plate signed "h.d." l.l.(in reverse), 1847. Daumier used the comic journal of the time, "Le Charivari", published in 1847, as a venue for his satirical views on the corrupt social and political life of the elite. He was referred to as the "Michelangelo of caricature" by his fellow artists creating over 500 paintings and 1000 drawings in his lifetime.


Les Bons Bourgeois
1808-1879, French

Lithograph, image size 12 x 9 inches, 1847, D. 1543, plate signed "h.D." l.l., this is from the comic journal of the time, "Le Charivari", published Sept. 28, 1847, which Daumier used as a venue for his views on the corrupt social and political life of the elite. For example, through the use of satire he portrayed the king as a money eating "Gargantua" which landed him in jail for six months. He was referred to as the "Michelangelo of caricature" by his fellow artists creating over 500 paintings and 1000 drawings in his lifetime.

Painting

The Country Manor
$1600.00
1808-1878, British

This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.

Print

Amish Boy
1891-1965, American

Dry Point Etching, 1946, Bpl.271, image size 117/8 x 8 7/8 inches, pencil signed

Drawing

The Artist's Daughter
1893-1986, American

Silverpoint on gessoed board with black, white, and red chalk, 9 3/8 x 7 1/4 inches, c. 1960, unsigned.