Alfred Edward Warner
1879-1968, British/Australian

The Long Haul
1879-1968, British/Australian

Etching, image size 4 1/2 x 8 5/8 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.


Shearer's Camp
1879-1968, British/Australian

Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.

Painting

Cambrians
1916-2004, British

Watercolor, sight size 5 1/8 x 9 1/8 inches, 1972, signed by the artist l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Cambrians is a largely unspoiled area of Mid Wales. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

Les Fiancés
1840-?, French

Engraving after a painting by Jeanne Rongier, image size 22 x 16 1/4 inches, published by Jourdan & Barbot, Paris, printed by Chardon et Sormani, Paris. Framed.

Drawing

Pastoral Scene

Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed on reverse "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde" (In the manner of Nicolae Berchem [Dutch, 1620-1683] and Adriaen van de Velde [Dutch, 1636-1672]), framed.