Alfred Edward Warner
1879-1968, British/Australian

The Long Haul
1879-1968, British/Australian

Etching, image size 4 1/2 x 8 5/8 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.


Shearer's Camp
1879-1968, British/Australian

Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.

Painting

The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.

Print

Goatherd
1885-1961, German/American

Engraving, image size 8 1/4 x 7 1/4 inches, pencil signed. Presentation Print for the Society of Print Connoisseurs, Society blindstamp lower left. Provenance: Baldwin-Wallace College.

Drawing

Maple in Winter
1872- c.1950, American

This pencil sketch by Dexter Dawes measures 8 7/8 x 6 inches on lightweight drawing paper.