Alfred Edward Warner
1879-1968, British/Australian

The Long Haul
1879-1968, British/Australian

Etching, image size 4 1/2 x 8 5/8 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.


Shearer's Camp
1879-1968, British/Australian

Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.

Painting

The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.

Print

The Meat Market
1867-1956, British

Etching, image size 10 7/8 x 12 inches, 1906, cat: Gaunt-69, pencil signed.

Drawing

The Country Manor
$1600.00
1808-1878, British

This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.