Alfred Edward Warner
1879-1968, British/Australian

The Long Haul
1879-1968, British/Australian

Etching, image size 4 1/2 x 8 5/8 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.


Shearer's Camp
1879-1968, British/Australian

Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.

Painting

Village Scene by the Shore
1885-1954, American

Watercolor and gouache, visible size 10 3/4 x 13 1/2 inches, signed lower right.

Pearce was born in Philadelphia but lived and worked in Manasquan, NJ, painting landscapes, interiors, figures and still-lifes. He studied under Chase and Weir.

Print

Mount Vernon Place - Baltimore
1894-1977, German-American

This etching by Anton Schutz measures 9 7/8 x 13 3/4 inches. It is pencil signed and numbered. Schutz was born in Germany and emigrated to the US in 1924 before Hitler came into power. A well-known artist in Germany, especially Munich, he started over again and enrolled in the Art Student's League in NY, working with Joseph Pennel. He became known for his portrayal of large cities along the eastern seaboard, capturing the enormity of the buildings along with the spirit of the American people.

Drawing

Study for the Angel's Head of DaVinci
1893-1986, American

Drawing, gold and silverpoint, image size 9 3/4 x 7 3/4 inches, signed and titled l.l. "silverpoint study for the angel's head of DaVinci", "Harriton", on artist board.