Stow Wengenroth
1906-1978, American

Summer Shadows
1906-1978, American

Lithograph of a house in Wiscasset, Maine. C. 1947. Catalog: Stuckey 171. Pencil signed in the lower right, editioned in the lower left. Edition of 85. Plate measures 8 1/4 x 15 1/4 on 12 1/2 x 19 inch wove type paper. This print showcases his love of New England architecture, as well as his mastery of light and shadow.


Seawards
1906-1978, American

Lithograph from 1964 of Rockport, Massachusetts. Edition of 55. Pencil signed in the lower right. Plate measures 9 x 16 1/4 on 13 1/8 x 20 inch wove type paper. Catalog: Stuckey 289.


Rock-bound
1906-1978, American

Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.


Along the Coast
1906-1978, American

Lithograph of Rockport, Massachusetts from December 1965. Edition of 40. Stuckey 301. 10 x 15 3/4 inches on wove-type paper.


Aphelion
1906-1978, American

Framed lithograph of Eastport, Maine from October 1931. Edition of 50. Cat: Stuckey 19. 11 1/4 x 13 3/4 inches on wove-type paper. "Aphelion" means "the point in the orbit of a planet, asteroid, or comet at which it is furthest from the Sun".


Cedar Waxwing
1906-1978, American

Lithograph from 1963, edition of 50. Signed and editioned in pencil. 15 x 8 1/16 inches on 20 x 13 inch paper. Cat: Stuckey 287.


Inlet Light
1906-1978, American

"Inlet Light" by the American artist Stow Wengenroth measures 8 1/8 x 12 3/4 inches and is pencil signed, 1938, cat: Stuckey-75, edition of 181. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Rocks, Eastport
1906-1978, American

This early lithograph by the American artist Stow Wengenroth measures 8 7/8 x 11 7/8 inches, pencil signed, 1931, in and edition of 75, cat: BPL-4. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Waterfront
1906-1978, American

This image by the American artist, Stow Wengenroth, measures 7 7/8 x 12 3/4 inches, pencil signed, 1936, cat: BPL-58, edition of 40. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Race at Latimer Reef
1906-1978, American

A beautiful, atmospheric lithograph by the American artist, Stow Wengenroth, measuring 8 x 15 1/4 inches, pencil signed and editioned. This scene off the coast of Noank, Connecticut, was created by Wengenroth in December of 1946, and is #163 in the Stuckey catalogue. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.


Deep Water
1906-1978, American

A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.


The Far Shore
1906-1978, American

A beautiful image of the Maine coast by Stow Wengenroth, this lithograph measures 8 x 13 3/8 inches, 1957, cat: Stuckey-258, pencil signed. This litho was in the 27th publication of the Prairie Print Makers, exclusively for their associate membership. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.


River Scene
1906-1978, American

This is a very fine lithograph of the town of New Hope, PA by American artist Stow Wengenroth. The image size is 5 3/8 x 9 3/4 inches, published in 1943 in an edition of 40, cat: Stuckey-119, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.


Long Cove
1906-1978, American

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.

Painting

Returning Home, A herdsman and his flock
1775-1862, British

Watercolor on paper, signed and dated lower left, 1807, 20 x 27 inches

Print

Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Drawing

Maple in Winter
1872- c.1950, American

This pencil sketch by Dexter Dawes measures 8 7/8 x 6 inches on lightweight drawing paper.