Stow Wengenroth
1906-1978, American

Great Horned Owl
1906-1978, American

Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.


Wood Owl
1906-1978, American

Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.


Wood Duck
1906-1978, American

Lithograph from March 1958. Scene from Greenport, NY. Image measures 11 1/16 x 15 7/8 inches on 14 x 18 1/2 inch wove type paper. Pencil signed in the lower right. Edition of 60. Catalog: Stuckey 246. A charming print with strong contrast.


Spirit of New England
1906-1978, American

A lithograph of a scene from Kennebunk, Maine. November 1956. Edition of 45. Catalog: Stuckey 234. Plate measures 9 1/8 x 17 3/4 inches on 13 1/2 x 21 1/2 inch medium weight wove type paper. Pencil signed in the lower right, editioned in the lower left.


Owl
1906-1978, American

Plate measures 9 x 7 3/8 inches on 11 1/2 x 9 1/4 inch paper. Printed in April, 1973. Greenport, New York. Catalog: Stuckey 351. Edition of 135. This print has a wide tonal range and incredible texture.


Summer Shadows
1906-1978, American

Lithograph of a house in Wiscasset, Maine. C. 1947. Catalog: Stuckey 171. Pencil signed in the lower right, editioned in the lower left. Edition of 85. Plate measures 8 1/4 x 15 1/4 on 12 1/2 x 19 inch wove type paper. This print showcases his love of New England architecture, as well as his mastery of light and shadow.


Seawards
1906-1978, American

Lithograph from 1964 of Rockport, Massachusetts. Edition of 55. Pencil signed in the lower right. Plate measures 9 x 16 1/4 on 13 1/8 x 20 inch wove type paper. Catalog: Stuckey 289.


Rock-bound
1906-1978, American

Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.


Along the Coast
1906-1978, American

Lithograph of Rockport, Massachusetts from December 1965. Edition of 40. Stuckey 301. 10 x 15 3/4 inches on wove-type paper.


Aphelion
1906-1978, American

Framed lithograph of Eastport, Maine from October 1931. Edition of 50. Cat: Stuckey 19. 11 1/4 x 13 3/4 inches on wove-type paper. "Aphelion" means "the point in the orbit of a planet, asteroid, or comet at which it is furthest from the Sun".


Cedar Waxwing
1906-1978, American

Lithograph from 1963, edition of 50. Signed and editioned in pencil. 15 x 8 1/16 inches on 20 x 13 inch paper. Cat: Stuckey 287.


Inlet Light
1906-1978, American

"Inlet Light" by the American artist Stow Wengenroth measures 8 1/8 x 12 3/4 inches and is pencil signed, 1938, cat: Stuckey-75, edition of 181. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Rocks, Eastport
1906-1978, American

This early lithograph by the American artist Stow Wengenroth measures 8 7/8 x 11 7/8 inches, pencil signed, 1931, in and edition of 75, cat: BPL-4. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Waterfront
1906-1978, American

This image by the American artist, Stow Wengenroth, measures 7 7/8 x 12 3/4 inches, pencil signed, 1936, cat: BPL-58, edition of 40. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Race at Latimer Reef
1906-1978, American

A beautiful, atmospheric lithograph by the American artist, Stow Wengenroth, measuring 8 x 15 1/4 inches, pencil signed and editioned. This scene off the coast of Noank, Connecticut, was created by Wengenroth in December of 1946, and is #163 in the Stuckey catalogue. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.


Deep Water
1906-1978, American

A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.


The Far Shore
1906-1978, American

A beautiful image of the Maine coast by Stow Wengenroth, this lithograph measures 8 x 13 3/8 inches, 1957, cat: Stuckey-258, pencil signed. This litho was in the 27th publication of the Prairie Print Makers, exclusively for their associate membership. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.


River Scene
1906-1978, American

This is a very fine lithograph of the town of New Hope, PA by American artist Stow Wengenroth. The image size is 5 3/8 x 9 3/4 inches, published in 1943 in an edition of 40, cat: Stuckey-119, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.


Long Cove
1906-1978, American

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.

Painting

Punts at a Quiet Landing
1815-1877, French

Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot.

Print

Lamberts Cove
1874-1947, American

Lithograph, image size: 10 x 7 3/16, edition of 90, cat. B90, pencil signed

Drawing

The Stone Bridge
1723-1806, British

This is a very fine original landscape, watercolor on paper, 10 5/8 x 16 inches, clearly signed "Henry Brooke, London". Born in Dublin, Henry Brooke lived in London from 1761-1767, where he painted landscapes and historical scenes.