David Y. Cameron
1865-1945, British

Terpidarium, Thermae of Caracalla
1865-1945, British

This D.Y. Cameron etching created in 1924 measures 7 7/8 x 6 7/8 inches. It is plate signed and pencil signed "D.Y. Cameron". Late afternoon shadows fall on the walls of the public baths in Rome built during the reign of Emperor Caracalla.


An Egyptian Mirror
1865-1945, British

This is a very fine etching by noted British artist D. Y. Cameron, titled "An Egyptian Mirror." The image size is 11 7/ x 6 7/8 inches, it was created in 1909 and is number 408 in the Rinder catalog, pencil signed. Sir David Cameron was considered one of the greatest British etchers of the early 20th century. He was born in Glasgow, Scotland and began studying art at the Glasgow Art School before moving on to the Edinburgh School of Art. He was a member of the Royal Academy, the Royal Society of Painter-Etchers, the Royal Society of Painters in Water-Colours, and the Royal Scottish Academy.


The Gateway of Bruges
1865-1945, British

Etching and drypoint, image size 13 x 7 1/2 inches, 1907, 11/111, 2nd State of 3, artist proof, Rinder 387, plate signed l.l. "D.Y. Cameron", pencil signed l.r. "DY Cameron". The Porte de Gaud, with a distant view of the Belfry. First of the Belgian Set of 10 subjects. Provenance: Harlow, McDonald & Co., NY.


The Belfry of Bruges
1865-1945, British

Etching touched with Dry-point, image size 14 15/16 x 5 2/8 inches, pub. 1907, second state, plate signed u.l. and pencil signed l.r. "D.Y. Cameron", Rinder 392.


The Wine Farm
1865-1945, British

Etching, image size 8 1/8 x 10 inches, pub. 1896, second state, pencil signed and plate signed l.r. "D.Y. Cameron", Rinder 227, thread margins.


The Itchen, near Winchester
1865-1945, British

Etching, image size 3 3/8 x 5 7/8 inches, 1902, Rinder 337, pencil signed. One of twenty etchings used to illustrate Walton's "Compleat Angler," Winchester Edition, London, Vol I, p. 104.


On The Test
1865-1945, British

Etching, image size 3 15/16 x 5 29/32 inches, 1902, cat. Rinder-338, initialed in plate "D.Y.C" lower right. Illustration for The Compleat Angler, Vol. I., p. 128.


Dovedale
1865-1945, British

Etching, image size 3 1/2 x 5 2/3 inches, 1902, cat. Rinder-348, plate signed lower right


Loch Aline
1865-1945, British

etching, 7 3/4x11 3/4, pencil signed

Painting

New England Farm in Spring
1848-1923, American

This is a luminous springtime landscape by New Hampshire artist William Preston Phelps. Oil on canvas, 12 x 18 inches, c. 1890s, signed in the lower right corner, in an ornate period gilt frame, with a label from the Godwin Gallery. Known as the "Painter of Monadnock", Phelps lived most of his life in Dublin and Chesham, NH, with the exception of several years he spent studying art in Europe. He painted many scenes of the area landscape of farms, fields and forests, many of which were set against the backdrop of the majestic Mount Monadnock.

Print

L'Album d'Image
$1850.00
1872-1936, French

Etching with aquatint, image size 19 1/2 x 15 inches, 1903, pencil signed and notated "Epreuve Unique en Noir," meaning that this is the only proof printed in black ink before the plate was faced with steel and the edition of 65 was printed. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Drawing

Old Bridge at Dumfries, Scotland
1844-1920, American

Drawing, image size 9 1/4 x 15 3/4 inches, unsigned