Samuel Chamberlain
1895-1975, American

The Ile-De-La-Cite - Paris
1895-1975, American

This richly inked etching by the American artist, Samuel Chamberlain, measures 10 1/2 x 11 1/2 inches, pencil signed, titled and numbered 72/100, 1925, also known as "Notre Dame from the Quai de l'Hotel de Ville", cat: BPL #2. Included with this print is the "Schwartz Galleries-NY" label. Chamberlain became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes as well as very detailed landscapes. This etching was also published in the periodical "The American Architect" in 1925 for an article written by Mr. Chamberlain.


Lisieux
1895-1975, American

A beautiful etching by the American artist, Samuel Chamberlain, measuring 6 7/8 x 11 inches, pencil signed, numbered 47/75, and titled, cat: BPL-113, edition of 75, 1933.


The Curving Canyon, New York
1895-1975, American

This is a great New York etching, image size 8 5/8 x 5 3/4 inches, 1929, cat: Chamberlain-86, pencil signed and numbered below the image, titled in the lower margin. A rich impression on a grey toned laid type paper with ample margins and deckled edges. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe.


Barnegat Cottage, Marblehead
1895-1975, American

An idyllic setting in this original etching by Samuel Chamberlain. Created in 1949 in an edition of 300. Pencil signed with an edition number on the lower margin, cat: BPL-281.


Saugus Ironworks
1895-1975, American

This lovely drypoint of the Saugus Ironworks measures 6 7/8 x 10 7/8 inches. It is pencil signed, titled and numbered. Created in 1958, this scene is near Lynn, Massachusetts, on the banks of the Saugus River, where iron was first produced in commercial quantities in 1646. After being restored, the Saugus Ironworks is now a National Hictoric Site and a unit of the National Park System of the United States. Chamberlain became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes as well as very detailed landscapes.


Canterbury
1895-1975, American

Etching, image size 9 x 6 5/8 inches, 1928, edition of 100, cat: BPL-69, pencil signed and editioned.


Maison de la Tourelle, Rue des Francs Bourgeois, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 216, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/2 x 11 1/4 inches, 1924, edition of 100, cat: BPL- 217, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Un Portail de l'Eglise de Saint Etienne du Mont , Paris
1895-1975, American

Lithograph, image size 15 1/2 x 10 inches, 1924, edition of 100, cat: BPL- 218, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue Frederic - Sauton, Paris
1895-1975, American

Lithograph, image size 12 3/4 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 223, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Cour du Dragon, Paris
1895-1975, American

Lithograph, image size 13 1/2 x 8 1/2 inches, 1924, edition of 100, cat: BPL- 209, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horloge, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 214, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


La Maison du Saumon, Chartres
1895-1975, American

Lithograph, image size 13 1/4 x 11, 1924, edition of 100, cat: BPL- 215, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de l'Abbaye
1895-1975, American

Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Vase du Pantheon, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/2 inches, 1924, edition of 100, cat: BPL-227, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Echoppe d'Etameur, Paris
1895-1975, American

Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Epicerie, Rue Galande, Paris
1895-1975, American

Lithograph, image size 15 1/2 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 212, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue du Dragon, Paris
1895-1975, American

Lithograph, image size 9 x 13 inches, 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horlage, Auxerre
1895-1975, American

Lithograph, image size 10 7/8 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 207, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Dome de l'Eglise du Val de Grace, Paris
1895-1975, American

Lithograph, image size 16 7/8 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 210, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Fontaine de la Grosse Horlage, Rouen
1895-1975, American

Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Vielle Maison, Rue Saint Etienne du Mont, Paris
1895-1975, American

Lithograph, image size 14 1/4 x 11, 1924, edition of 100, cat: BPL- 228, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Bucherie, Paris
1895-1975, American

Lithograph, image size 10 3/4 x 12 inches, 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Saint Nicolas-des-Champs, Paris
1895-1975, American

Lithograph, image size 14 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 226, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Montagne Sainte Genevieve, Paris
1895-1975, American

Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Porte Saint Martin, Paris
1895-1975, American

Lithograph, image size 8 3/4 x 17 7/8 inches, 1924, edition of 100, cat: BPL-219, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Early Morning Market, Senlis
1895-1975, American

Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.


Echoppe D'Etameur, Paris
1895-1975, American

Lithograph, image size 11 x 13 inches, 1924, cat. BPL-211, initialed in pencil and numbered 15/100


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/4 x 11 inches, 1924, cat. BPL-217, plate signed


The Cypresses, Siracusa
1895-1975, American

Etching, image size 7 x 8 1/4 inches, 1925, cat. Kingsland 18, artist's proof, faintly pencil signed.


Saint Nicolas des Champs, Paris
1895-1975, American

Lithograph, image size 14 5/8 x 8 3/4 inches, 1924, cat. Boston Public Library 226, pencil signed and numbered 9/100.


La Charite-sur-Loire
1895-1975, American

Drypoint, image size 11 x 7 5/8 inches, January 1930, cat. Kingsland 89, pencil signed and numbered 52/100


Amalfi
1895-1975, American

Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right.


The Verdant Village
1895-1975, American

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.


The Quais, St. Tropez
1895-1975, American

Drypoint, image size: 4 1/4 x 5 3/4 inches, ed. 6/75, Febuary 1927, Cat. Chamberlain - 46, pencil signed


The Market Place at Bourges
1895-1975, American

Etching, image size 6 3/4 x 5 3/8 inches, 1928, cat. Chamberlain and Kingsland 253, pencil signed, framed

Painting

Surf, Monhegan
1869-1955, American

A brilliant seascape by the renowned artist, Sears Gallagher. Created c. 1920, sight size is 13 1/4 x 19 1/4 inches and is signed by the artist on the lower right. On the back of the sheet, written in the artist hand, is the title and the artists signature. Known for his etchings and watercolors of historic streets and landmarks in and around Boston, he also had a love of marine settings and created many scenes of coastal Maine, especially Monhegan Island.

Print

La Belle Jardiniere
1779 - 1857, French

Engraving 1805, after Raphael; Prov. Gray Coll.908; image size 18 1/4 x 12 15/16 inches; plate size 22 x 15 1/2 ; paper size 28 3/8/ x 20 3/16 inches

Drawing

Christmas Card     1944
1872- c.1950, American

Designed by the artist for the family's 1944 Christmas card, done on lightweight paper. It measures 7 1/4 x 8 3/8 inches. Dawes spent many years in the Marlboro, NH area drawing and painting the incredible natural beauty that surrounded him.