Samuel Chamberlain
1895-1975, American

Barnegat Cottage, Marblehead
1895-1975, American

An idyllic setting in this original etching by Samuel Chamberlain. Created in 1949 in an edition of 300. Pencil signed with an edition number on the lower margin.


Saugus Ironworks
1895-1975, American

This lovely drypoint of the Saugus Ironworks measures 6 7/8 x 10 7/8 inches. It is pencil signed, titled and numbered. Created in 1958, this scene is near Lynn, Massachusetts, on the banks of the Saugus River, where iron was first produced in commercial quantities in 1646. After being restored, the Saugus Ironworks is now a National Hictoric Site and a unit of the National Park System of the United States. Chamberlain became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes as well as very detailed landscapes.


Canterbury
1895-1975, American

Etching, image size 9 x 6 5/8 inches, 1928, edition of 100, cat: BPL-69, pencil signed and editioned.


Maison de la Tourelle, Rue des Francs Bourgeois, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 216, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/2 x 11 1/4 inches, 1924, edition of 100, cat: BPL- 217, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Un Portail de l'Eglise de Saint Etienne du Mont , Paris
1895-1975, American

Lithograph, image size 15 1/2 x 10 inches, 1924, edition of 100, cat: BPL- 218, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue Frederic - Sauton, Paris
1895-1975, American

Lithograph, image size 12 3/4 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 223, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Cour du Dragon, Paris
1895-1975, American

Lithograph, image size 13 1/2 x 8 1/2 inches, 1924, edition of 100, cat: BPL- 209, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horloge, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 214, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


La Maison du Saumon, Chartres
1895-1975, American

Lithograph, image size 13 1/4 x 11, 1924, edition of 100, cat: BPL- 215, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de l'Abbaye
1895-1975, American

Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Vase du Pantheon, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/2 inches, 1924, edition of 100, cat: BPL-227, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Echoppe d'Etameur, Paris
1895-1975, American

Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Epicerie, Rue Galande, Paris
1895-1975, American

Lithograph, image size 15 1/2 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 212, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue du Dragon, Paris
1895-1975, American

Lithograph, image size 9 x 13 inches, 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horlage, Auxerre
1895-1975, American

Lithograph, image size 10 7/8 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 207, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Dome de l'Eglise du Val de Grace, Paris
1895-1975, American

Lithograph, image size 16 7/8 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 210, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Fontaine de la Grosse Horlage, Rouen
1895-1975, American

Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Vielle Maison, Rue Saint Etienne du Mont, Paris
1895-1975, American

Lithograph, image size 14 1/4 x 11, 1924, edition of 100, cat: BPL- 228, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Bucherie, Paris
1895-1975, American

Lithograph, image size 10 3/4 x 12 inches, 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Saint Nicolas-des-Champs, Paris
1895-1975, American

Lithograph, image size 14 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 226, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Montagne Sainte Genevieve, Paris
1895-1975, American

Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Porte Saint Martin, Paris
1895-1975, American

Lithograph, image size 8 3/4 x 17 7/8 inches, 1924, edition of 100, cat: BPL-219, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Early Morning Market, Senlis
1895-1975, American

Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.


Echoppe D'Etameur, Paris
1895-1975, American

Lithograph, image size 11 x 13 inches, 1924, cat. BPL-211, initialed in pencil and numbered 15/100


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/4 x 11 inches, 1924, cat. BPL-217, plate signed


The Cypresses, Siracusa
1895-1975, American

Etching, image size 7 x 8 1/4 inches, 1925, cat. Kingsland 18, artist's proof, faintly pencil signed.


Saint Nicolas des Champs, Paris
1895-1975, American

Lithograph, image size 14 5/8 x 8 3/4 inches, 1924, cat. Boston Public Library 226, pencil signed and numbered 9/100.


La Charite-sur-Loire
1895-1975, American

Drypoint, image size 11 x 7 5/8 inches, January 1930, cat. Kingsland 89, pencil signed and numbered 52/100


Amalfi
1895-1975, American

Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right.


The Verdant Village
1895-1975, American

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.


Lower Manhattan - Old and New
1895-1975, American

Drypoint etching, image size 9 x 7 1/8 inches, ed. 100, 1929, cat. Chamberlain and Kingsland 81, inscribed "Epreme d'artiste 3rd state 1/2" lower left, rare artist's proof with annotations to the printer, pencil signed lower right.


The Quais, St. Tropez
1895-1975, American

Drypoint, image size: 4 1/4 x 5 3/4 inches, ed. 6/75, Febuary 1927, Cat. Chamberlain - 46, pencil signed


The Market Place at Bourges
1895-1975, American

Etching, image size 6 3/4 x 5 3/8 inches, 1928, cat. Chamberlain and Kingsland 253, pencil signed, framed

Painting

Spring Meadow
1836-1892, American

Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, attributed to Alexander Wyant, in a period gilt frame.

Print

The Goose Woman
1891-

Etching, dry point, image size 6 13/16 x 5 15/16 inches, ca. 1936, edition of 25 for the NYC WPA, signed and titled in pencil, stamped in l.l. Federal Art Project NYC WPA.

Drawing

Grove of Trees
1872- c.1950, American

A fine pencil sketch of a grove of trees with a landscape in the background by Dexter Dawes, measuring 7 1/2 x 11 inches on a medium weight drawing paper. Dawes summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs, drawings and paintings. He belonged to a number of associations including the National Arts Club.