Samuel Chamberlain
1895-1975, American

The Curving Canyon, New York
1895-1975, American

This is a great New York etching, image size 8 5/8 x 5 3/4 inches, 1929, cat: Chamberlain-86, pencil signed and numbered below the image, titled in the lower margin. A rich impression on a grey toned laid type paper with ample margins and deckled edges. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe.


Canterbury
1895-1975, American

Etching, image size 9 x 6 5/8 inches, 1928, edition of 100, cat: BPL-69, pencil signed and editioned.


Maison de la Tourelle, Rue des Francs Bourgeois, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 216, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/2 x 11 1/4 inches, 1924, edition of 100, cat: BPL- 217, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Un Portail de l'Eglise de Saint Etienne du Mont , Paris
1895-1975, American

Lithograph, image size 15 1/2 x 10 inches, 1924, edition of 100, cat: BPL- 218, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Cour du Dragon, Paris
1895-1975, American

Lithograph, image size 13 1/2 x 8 1/2 inches, 1924, edition of 100, cat: BPL- 209, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horloge, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 214, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


La Maison du Saumon, Chartres
1895-1975, American

Lithograph, image size 13 1/4 x 11, 1924, edition of 100, cat: BPL- 215, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de l'Abbaye
1895-1975, American

Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Vase du Pantheon, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/2 inches, 1924, edition of 100, cat: BPL-227, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Echoppe d'Etameur, Paris
1895-1975, American

Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Epicerie, Rue Galande, Paris
1895-1975, American

Lithograph, image size 15 1/2 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 212, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue du Dragon, Paris
1895-1975, American

Lithograph, image size 9 x 13 inches, 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Dome de l'Eglise du Val de Grace, Paris
1895-1975, American

Lithograph, image size 16 7/8 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 210, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Fontaine de la Grosse Horlage, Rouen
1895-1975, American

Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Bucherie, Paris
1895-1975, American

Lithograph, image size 10 3/4 x 12 inches, 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Montagne Sainte Genevieve, Paris
1895-1975, American

Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Porte Saint Martin, Paris
1895-1975, American

Lithograph, image size 8 3/4 x 17 7/8 inches, 1924, edition of 100, cat: BPL-219, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Early Morning Market, Senlis
1895-1975, American

Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.


Echoppe D'Etameur, Paris
1895-1975, American

Lithograph, image size 11 x 13 inches, 1924, cat. BPL-211, initialed in pencil and numbered 15/100


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/4 x 11 inches, 1924, cat. BPL-217, plate signed


The Cypresses, Siracusa
1895-1975, American

Etching, image size 7 x 8 1/4 inches, 1925, cat. Kingsland 18, artist's proof, faintly pencil signed.


Amalfi
1895-1975, American

Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right.


The Verdant Village
1895-1975, American

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.

Painting

Mountain View
1872- c.1950, American

This landscape by Dexter Dawes measures 15 x 20 7/8 inches, is signed and dated, 1937. There are some indications that it was painted on a rainy day. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

The Coast of Morocco
1849-1911, French

Etching after Delacroix, image size 7 1/4 x 8 7/8 inches, 1883, plate signed.

Drawing

The Stone Bridge
1723-1806, British

This is a very fine original landscape, watercolor on paper, 10 5/8 x 16 inches, clearly signed "Henry Brooke, London". Born in Dublin, Henry Brooke lived in London from 1761-1767, where he painted landscapes and historical scenes.