Samuel Chamberlain 1895-1975, American
1895-1975, American Towers of Senlis Etching, image size 9 3/4 x 7 inches, 1930, edition of 100, cat: BPL-95, pencil signed and editioned.
1895-1975, American Gables of Colmar Etching, image size 7 3/4 x 10 5/8 inches, 1928, edition of 100, cat: BPL-62, pencil signed and editioned.
1895-1975, American Canterbury Etching, image size 9 x 6 5/8 inches, 1928, edition of 100, cat: BPL-69, pencil signed and editioned.
1895-1975, American Cour du Marche- Bruges Etching, image size 8 5/8 x 6 1/8 inches, 1928, edition of 100, cat: BPL-65, pencil signed and editioned.
1895-1975, American Maison de la Tourelle, Rue des Francs Bourgeois, Paris Lithograph, image size 14 1/2 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 216, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil
1895-1975, American Passy Ancien et Nouveau, Paris Lithograph, image size 12 1/2 x 11 1/4 inches, 1924, edition of 100, cat: BPL- 217, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil
1895-1975, American Un Portail de l'Eglise de Saint Etienne du Mont , Paris Lithograph, image size 15 1/2 x 10 inches, 1924, edition of 100, cat: BPL- 218, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Rue Frederic - Sauton, Paris Lithograph, image size 12 3/4 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 223, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Cour du Dragon, Paris Lithograph, image size 13 1/2 x 8 1/2 inches, 1924, edition of 100, cat: BPL- 209, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American L'Horloge, Paris Lithograph, image size 14 1/2 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 214, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American La Maison du Saumon, Chartres Lithograph, image size 13 1/4 x 11, 1924, edition of 100, cat: BPL- 215, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Rue de l'Abbaye Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Le Vase du Pantheon, Paris Lithograph, image size 14 1/2 x 10 1/2 inches, 1924, edition of 100, cat: BPL-227, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Echoppe d'Etameur, Paris Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American L'Epicerie, Rue Galande, Paris Lithograph, image size 15 1/2 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 212, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Rue du Dragon, Paris Lithograph, image size 9 x 13 inches, 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American L'Horlage, Auxerre Lithograph, image size 10 7/8 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 207, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Le Dome de l'Eglise du Val de Grace, Paris Lithograph, image size 16 7/8 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 210, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Fontaine de la Grosse Horlage, Rouen Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Vielle Maison, Rue Saint Etienne du Mont, Paris Lithograph, image size 14 1/4 x 11, 1924, edition of 100, cat: BPL- 228, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Rue de la Bucherie, Paris Lithograph, image size 10 3/4 x 12 inches, 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Saint Nicolas-des-Champs, Paris Lithograph, image size 14 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 226, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Rue de la Montagne Sainte Genevieve, Paris Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Porte Saint Martin, Paris Lithograph, image size 8 3/4 x 17 7/8 inches, 1924, edition of 100, cat: BPL-219, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
1895-1975, American Early Morning Market, Senlis Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.
1895-1975, American Semur-en-Auxois Etching, image size 6 x 9 1/4 inches, 1925, edition of 35 plus proofs (Chamberlain & Kingsland, 13), pencil signed "Samuel Chamberlain" in l.r.
1895-1975, American Echoppe D'Etameur, Paris Lithograph, image size 11 x 13 inches, 1924, cat. BPL-211, initialed in pencil and numbered 15/100
1895-1975, American Passy Ancien et Nouveau, Paris Lithograph, image size 12 1/4 x 11 inches, 1924, cat. BPL-217, plate signed
1895-1975, American Silhouette of Senlis Drypoint, Only First State, image size 5 5/8 x 8 3/8 inches, June 1931, cat. BPL-106, pencil signed
1895-1975, American Beauvais Drypoint, image size 11 x 11 7/8 inches, April 1931, cat. BPL-105, pencil signed and numbered 46/100
1895-1975, American Cathedral of Sens Drypoint on cold-toned (blue) paper, image size 10 1/2 x 7 inches, March 1930, cat. BPL-93, pencil signed and numbered 1/100
1895-1975, American The Shadowy Street Drypoint, Only Second State, 4 3/4 x 4 3/8 inches, July 1930, cat. BPL-98, pencil signed and inscribed "Old Paper Proof." The subject is a view of Senlis.
1895-1975, American Gateway in the Ghetto, Paris Drypoint, Third State - Only Proof, image size 7 3/8 x 4 3/4 inches, June 1930, cat. BPL-96, pencil signed
1895-1975, American The Poplars Drypoint on zinc, image size 5 1/8 x 6 7/8 inches, July 1926, Ile-de-France, 3/25, cat. Kingsland #33, pencil signed.
1895-1975, American Senlis from a Crows Nest Drypoint, image size 11 3/8 x 9 5/8 inches, November 1931, only working proof done before plate was cut down, also signed by wife Narcissa G. Chamberlain, cat. Kingsland #110, pencil signed.
1895-1975, American Dentelles Gathiques, Clamecy (second state) Drypoint, image size 15 1/8 x 10 1/8 inches, February 1930, second state, cat. Kingsland 92, pencil signed.
1895-1975, American Dentelles Gothiques, Clamecy (first state) Drypoint, image size 15 1/8 x 10 1/8 inches, February 1930, first state, cat. Kingsland 92, pencil signed.
1895-1975, American The Cypresses, Siracusa Etching, image size 7 x 8 1/4 inches, 1925, cat. Kingsland 18, artist's proof, faintly pencil signed.
1895-1975, American The Saplings Etching, image size 7 1/2 x 10 1/4 inches, Second state, Only Proof, 1931, cat. Kingsland #108, Pencil signed.
1895-1975, American Chartres Cathedral Etching, image size 14 1/8 x 9 1/2 inches, numbered 42/100, catalogue BPL-104, pencil signed and dedicated "To Eliot Fletcher with best wishes - SC." The gallery has two impressions of this print, one of which is framed. The framed impression is illustrated here.
1895-1975, American Towers of Senlis Drypoint, image size 9 5/8 x 6 7/8 inches, 1930, Artist's Proof, edition of 100 plus 7 working proofs, cat. Boston Public Library 95, pencil signed
1895-1975, American Saint Nicolas des Champs, Paris Lithograph, image size 14 5/8 x 8 3/4 inches, 1924, cat. Boston Public Library 226, pencil signed and numbered 9/100.
1895-1975, American Barnegat Cottage, Marblehead Drypoint etching, image size 7 3/4 x 11 inches, 1949, ed. of 300, pencil signed, framed.
1895-1975, American La Charite-sur-Loire Drypoint, image size 11 x 7 5/8 inches, January 1930, cat. Kingsland 89, pencil signed and numbered 52/100
1895-1975, American Amalfi Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right. (M)
1895-1975, American Verneuil Drypoint etching, image size: 13 5/8 x 8 1/4 inches, 1929, edition 1/100, cat. Chamberlain and Kingsland-88, pencil signed lower right. A beautiful print that combines Chamberlain's fine detailing with a dramatic compostition.
1895-1975, American The Battered Boat, Villefranche-sur-Mer Drypoint etching, image size: 4 3/8 x 6 5/16 inches, numbered 30/75, 1927, cat. Chamberlain and Kingsland-49, printed on laid paper with ample margins, pencil signed.
1895-1975, American The Public Gaol Drypoint etching, image size 7 3/4 x 10 7/8 inches, 1938, numbered 18/100, cat. Chamberlain and Kingsland-138, pencil signed and titled. The use of subtle gradations in plate tone create a luminous quality suggestive of a sunset.
1895-1975, American The Verdant Village Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.
1895-1975, American Lower Manhattan - Old and New Drypoint etching, image size 9 x 7 1/8 inches, ed. 100, 1929, cat. Chamberlain and Kingsland 81, inscribed "Epreme d'artiste 3rd state 1/2" lower left, rare artist's proof with annotations to the printer, pencil signed lower right.
1895-1975, American Valley of the Var Etching, image size 10 5/8 x 12 7/8 inches, c. 1940, inscribed "second state II/II," pencil signed lower right.
1895-1975, American The Quais, St. Tropez Drypoint, image size: 4 1/4 x 5 3/4 inches, ed. 6/75, Febuary 1927, Cat. Chamberlain - 46, pencil signed
1895-1975, American The Market Place at Bourges Etching, image size 6 3/4 x 5 3/8 inches, 1928, cat. Chamberlain and Kingsland 253, pencil signed, framed
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