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Samuel Chamberlain
1895-1975, American

Chartres Cathedral
1895-1975, American

A beautiful drypoint etching by Samuel Chamberlain, this image measures 14 x 9 1/2 inches, published in 1931. It is pencil signed, titled and numbered with the inscription " To Eliot Fletcher, with best wishes - SC" on the lower margin. Number 104 in the BPL catalog. Samuel Chamberlain was an important 20th century American architect and artist. He studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe.


Saugus Ironworks
1895-1975, American

This lovely drypoint of the Saugus Ironworks measures 6 7/8 x 10 7/8 inches. It is pencil signed, titled and numbered. Created in 1958, this scene is near Lynn, Massachusetts, on the banks of the Saugus River, where iron was first produced in commercial quantities in 1646. After being restored, the Saugus Ironworks is now a National Hictoric Site and a unit of the National Park System of the United States. Chamberlain became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes as well as very detailed landscapes.


Canterbury
1895-1975, American

Etching, image size 9 x 6 5/8 inches, 1928, edition of 100, cat: BPL-69, pencil signed and editioned.


Maison de la Tourelle, Rue des Francs Bourgeois, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 216, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/2 x 11 1/4 inches, 1924, edition of 100, cat: BPL- 217, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil


Un Portail de l'Eglise de Saint Etienne du Mont , Paris
1895-1975, American

Lithograph, image size 15 1/2 x 10 inches, 1924, edition of 100, cat: BPL- 218, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue Frederic - Sauton, Paris
1895-1975, American

Lithograph, image size 12 3/4 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 223, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Cour du Dragon, Paris
1895-1975, American

Lithograph, image size 13 1/2 x 8 1/2 inches, 1924, edition of 100, cat: BPL- 209, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horloge, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 214, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


La Maison du Saumon, Chartres
1895-1975, American

Lithograph, image size 13 1/4 x 11, 1924, edition of 100, cat: BPL- 215, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de l'Abbaye
1895-1975, American

Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Vase du Pantheon, Paris
1895-1975, American

Lithograph, image size 14 1/2 x 10 1/2 inches, 1924, edition of 100, cat: BPL-227, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Echoppe d'Etameur, Paris
1895-1975, American

Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Epicerie, Rue Galande, Paris
1895-1975, American

Lithograph, image size 15 1/2 x 9 1/2 inches, 1924, edition of 100, cat: BPL- 212, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue du Dragon, Paris
1895-1975, American

Lithograph, image size 9 x 13 inches, 1924, edition of 100, cat: BPL- 222, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


L'Horlage, Auxerre
1895-1975, American

Lithograph, image size 10 7/8 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 207, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Le Dome de l'Eglise du Val de Grace, Paris
1895-1975, American

Lithograph, image size 16 7/8 x 10 1/4 inches, 1924, edition of 100, cat: BPL- 210, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Fontaine de la Grosse Horlage, Rouen
1895-1975, American

Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Vielle Maison, Rue Saint Etienne du Mont, Paris
1895-1975, American

Lithograph, image size 14 1/4 x 11, 1924, edition of 100, cat: BPL- 228, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Bucherie, Paris
1895-1975, American

Lithograph, image size 10 3/4 x 12 inches, 1924, edition of 100, cat: BPL- 221, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Saint Nicolas-des-Champs, Paris
1895-1975, American

Lithograph, image size 14 x 8 3/4 inches, 1924, edition of 100, cat: BPL- 226, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Rue de la Montagne Sainte Genevieve, Paris
1895-1975, American

Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Porte Saint Martin, Paris
1895-1975, American

Lithograph, image size 8 3/4 x 17 7/8 inches, 1924, edition of 100, cat: BPL-219, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.


Early Morning Market, Senlis
1895-1975, American

Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.


Echoppe D'Etameur, Paris
1895-1975, American

Lithograph, image size 11 x 13 inches, 1924, cat. BPL-211, initialed in pencil and numbered 15/100


Passy Ancien et Nouveau, Paris
1895-1975, American

Lithograph, image size 12 1/4 x 11 inches, 1924, cat. BPL-217, plate signed


Beauvais
1895-1975, American

Drypoint, image size 11 x 11 7/8 inches, April 1931, cat. BPL-105, pencil signed and numbered 46/100


The Cypresses, Siracusa
1895-1975, American

Etching, image size 7 x 8 1/4 inches, 1925, cat. Kingsland 18, artist's proof, faintly pencil signed.


Saint Nicolas des Champs, Paris
1895-1975, American

Lithograph, image size 14 5/8 x 8 3/4 inches, 1924, cat. Boston Public Library 226, pencil signed and numbered 9/100.


Barnegat Cottage, Marblehead
1895-1975, American

Drypoint etching, image size 7 3/4 x 11 inches, 1949, ed. of 300, pencil signed, framed. (M)


La Charite-sur-Loire
1895-1975, American

Drypoint, image size 11 x 7 5/8 inches, January 1930, cat. Kingsland 89, pencil signed and numbered 52/100


Amalfi
1895-1975, American

Etching, image size: 7 x 7 inches, numbered 88/100, 1925, cat. Chamberlain and Kingsland-8, pencil signed lower right. (M)


The Verdant Village
1895-1975, American

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.


Lower Manhattan - Old and New
1895-1975, American

Drypoint etching, image size 9 x 7 1/8 inches, ed. 100, 1929, cat. Chamberlain and Kingsland 81, inscribed "Epreme d'artiste 3rd state 1/2" lower left, rare artist's proof with annotations to the printer, pencil signed lower right.


The Quais, St. Tropez
1895-1975, American

Drypoint, image size: 4 1/4 x 5 3/4 inches, ed. 6/75, Febuary 1927, Cat. Chamberlain - 46, pencil signed


The Market Place at Bourges
1895-1975, American

Etching, image size 6 3/4 x 5 3/8 inches, 1928, cat. Chamberlain and Kingsland 253, pencil signed, framed

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, unsigned, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

An Iris for Lisa
1922-2000, American

A superb original etching and aquatint in colors, this image measures 17 3/4 x 11 3/4 inches, published in 1970 in an edition of 130 by CFA Graphics, NY, cat: Fern & O'Sullivan- 584, pencil signed and numbered. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world.

Drawing

Artists  Studio
1893-1986, American

Drawing, pen and ink on paper, image size 14 x 10 3/4 inches, pencil signed and titled, l.r. "Artists Studio - Harriton", adhered to artist board.