Hopper Emory
1881-1939, American

Street Scene
1881-1939, American

1928 etching by the American artist Hopper Emory measuring 7 x 9 7/8 inches, pencil signed, plate dated.


Longfellow Wayside Inn
1881-1939, American

This etching by Hopper Emory measures 7 7/8 x 11 7/8 inches and is plate signed, dated and titled. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Winter Storm
1881-1939, American

Etching by Hopper Emery measures 7 x 4 7/8 inches and is pencil signed. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


The Harry Elkins Widener Library
1881-1939, American

This etching by the American artist Hopper Emory measures 4 7/8 x 6 inches and is pencil signed. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


The Noon Train
1881-1939, American

Etching, image size 11 3/4 x 13 3/4 inches, 1934, plate signed.


Gateway to Lincoln's Inn Fields, London
1881-1939, American

Etching of the largest public garden in London, Lincoln's Inn Fields, measures 9 7/8 x 7 7/8 inches, 1933, plate signed and titled in pencil.


Urban Progress
1881-1939, American

Etching, image size 9 7/8 x 6 inches, 1929, printed on medium weight paper.


Monument Way
1881-1939, American

This 1929 etching by the American artist Hopper Emory measures 9 7/8 x 6 1/8 inches and is pencil signed.


Chastine Maersk
1881-1939, American

This etching of the Danish container ship, Chastine Maersk measures 7 1/2 x 11 3/4 inches, 1936, pencil signed.


Landscape With Distant Lake
1881-1939, American

This Hopper Emory pen and ink lake vista, measures 6 1/8 x 10 inches and is signed on the l.r., printed on heavy weight paper.


Cathedral of Learning, Pittsburg
1881-1939, American

Etching by Hopper Emory measures 8 7/8 x 7 7/16 inches and is pencil signed. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Waving Goodbye
1881-1939, American

This etching by Hopper Emory measures 6 1/8 x 9 3/4 inches. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


London Street Scene
1881-1939, American

"London Street Scene" by Hopper Emory measures 6 3/4 x 10 7/8 inches and is pencil signed. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


House of John Alden and Pricilla
1881-1939, American

This Hopper Emory etching measures 7 7/8 x 11 3/4 inches, is pencil signed and titled. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Baltimore Harbor
1881-1939, American

This 1924 harbor scene by Hopper Emory measures 11 3/4 x 7 3/4 inches and is pencil signed and titled, in an edition of 25. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


The Mackeral
1881-1939, American

A 1926 etching by the American artist, Hopper Emery measuring 9 7/8 x 7 inches, pencil signed and titled with additional provenance, written in the artists hand, on the lower margin. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Off Baltimore Light on Chesapeake Bay
1881-1939, American

This c. 1940 seascape by Hopper Emory measures 8 x 9 3/8 inches and is pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Changing the Guard  Buckingham Palace  London
1881-1939, American

A beautiful 1933 etching by Hopper Emory measuring 7 x 10 3/4 inches and is pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


The Gathering Crowd
1881-1939, American

This is an original ink drawing on paper, image size 6 7/8 x 11 inches, 1933, signed and dated in the lower right corner. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


The Steeplechase
1881-1939, American

Etching, image size 2 1/2 x 4 inches, c. 1930, pencil signed, with the original label. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Sidewheeler and Sailboat
1881-1939, American

Etching, image size 6 1/8 x 9 7/8 inches, c. 1930, pencil signed. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Quartering the Wind
1881-1939, American

Etching, image size 9 7/8 x 6 7/8 inches, c. 1930, pencil signed, titled on the lower margin. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Lincoln's Inn Fields Gateway, London
1881-1939, American

Etching, image size 9 7/8 x 7 7/8 inches, 1930, plate signed and dated, pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Westminster Abbey, London
1881-1939, American

This is a remarkable architectural etching by American artist Hopper Emory. Image size 14 7/8 x 11 3/4 inches, c. 1930, edition of 250, pencil signed, with the original label. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


London Bridge
1881-1939, American

Etching, image size 10 7/8 x 7 inches, c. 1930, pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Watermelon Boats
1881-1939, American

Etching, image size 8 x 11 7/8 inches, c. 1930, pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.


Long Dock
1881-1939, American

Etching, image size 6 1/8 x 10 inches, 1930, plate signed and dated, pencil signed and titled. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.

Painting

Spring Meadow

Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, in the style of Alexander Wyant, in a period gilt frame.

Print

Le Noeud de Cravate
1852-1931, French

Etching, image size 5 3/4 x 3 3/4 in, from CROQUIS PARISIENS, 1880, possibly a later printing (Faxon, 20), pencil signed

Drawing

Old House, East Windsor Hill, Connecticut
1855-1943, American

Watercolor on paper, 3 3/8 x 4 5/8 inches, signed in ink lower left. Housed in a period frame, possibly original to the painting, but recently rematted with archival materials. An old label on the back gives the title and location and is also signed by the artist.