Asa Cheffetz
1896-1965, American

Daybreak
1896-1965, American

Wood engraving, image size 5 x 7 inches, c. 1933, pencil signed l.r. "Asa Cheffetz - imp." and titled l.l. "Daybreak", Springfield - 45.


Bridge over Mad River (Vermont)
1896-1965, American

Engraving, image size 5 3/16 x 7 7/16 inches, 1946, edition of 250, pub. in 1948 by Associated American Artists; signed Asa Cheffetz" in pencil l.r., accompanied by an original label from AAA.


Border Country (Vermont)
1896-1965, American

Wood engraving, image size 4 3/8 x 9 inches, c. 1944, cat. Springfield-67, pencil signed, accompanied by original AAA label


Rural Schoolhouse (Vermont)
1896-1965, American

Wood engraving, image size 5 3/4 x 9 inches, c. 1946, cat. Springfield-79, pencil signed, accompanied by original AAA label


Summertide (Vermont)
1896-1965, American

Wood engraving, image size 4 3/4 x 9 inches, c. 1946, cat. Springfield-80, pencil signed, accompanied by original AAA label


Farm Buildings
1896-1965, American

Wood engraving, image size 4 5/8 x 9 inches, c. 1945, cat. Springfield-76, pencil signed, accompanied by original AAA label. The gallery has more than one impression of this print.


Summer Sabbath (Vermont)
1896-1965, American

Wood engraving, image size 5 1/2 x 7 7/8 inches, cat. Museum of Fine Art, Springfield-77, 1946, published by Associated American Artists, pencil signed lower right. The gallery has more than one impression of this print. This view of a Vermont farm nestled among rolling hills is in many ways representative of Cheffetz's art, which often involves idyllic scenes executed with a high level of detail. Purchase Prize Winner, First Annual National Fine Print Competition.


Barns
1896-1965, American

Wood engraving, image size 4 3/8 x 5 7/8 inches, 1934, Springfield Museum 46. Signed, titled and dedicated in pencil "For Mr. and Mrs. Guy Littell, with best wishes."


Profile of a Man
1896-1965, American

Wood Engraving, image size 5 x 3 inches, unsigned early proof not found in the catalogue of the Museum of Fine Arts, Springfield, Mass.


Farm Buildings
1896-1965, American

Wood engraving, image size: 8 5/8 x 9 inches, c. 1945, cat. Springfield-76, initialed on block lower left, identified on reverse, Provenance: Museum of Fine Arts, Springfield, Mass.


Summer Sabbath (Vermont)
1896-1965, American

Wood engraving, image size 5 1/2 x 7 7/8 inches, c. 1946, cat. Springfield-77, initialed on block lower center, identified on reverse. Purchase Prize Winner First Annual National Fine Print Competition. Provenance: Museum of Fine Arts, Springfield, Mass.


Distant Haze (Essex Co., N.Y.)
1896-1965, American

Wood engraving, image size:4 5/8 x 8 1/8 inches, c. 1941, cat. Springfield-60, initialed on block lower left, identified on reverse, Provenance: Museum of Fine Arts, Springfield, Mass.


Border Country (Vermont)
1896-1965, American

Wood engraving, image size 4 3/8 x 9 inches, c. 1944, cat. Springfield-67, initialed on block lower center, identified on reverse. Provenance: Museum of Fine Arts, Springfield, Mass.


Rural Schoolhouse (Vermont)
1896-1965, American

Wood engraving, image size 5 3/4 x 9 inches, c. 1946, cat. Springfield-79, initialed on block lower right, identified on reverse. Provenance: Museum of Fine Arts, Springfield, Mass.


Down Montgomery Way (Vermont)
1896-1965, American

Wood engraving, image sizeL 4 1/4 x 7 3/8 inches, 1940, cat. Springfield-57, initialed on block lower left, identified on reverse, provenance: Museum of Fine Arts, Springfield, Mass.

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Timing Devices
1940-, American

A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

Drawing

Landscape at Twilight
1864-1929, American

pastel, sight size 9 X 12 1/4 inches, c. 1910, unsigned, attributed to AC Goodwin. Spring twilight landscape. (M)