Asa Cheffetz
1896-1965, American

Daybreak
1896-1965, American

Wood engraving, image size 5 x 7 inches, c. 1933, pencil signed l.r. "Asa Cheffetz - imp." and titled l.l. "Daybreak", Springfield - 45.


Bridge over Mad River (Vermont)
1896-1965, American

Engraving, image size 5 3/16 x 7 7/16 inches, 1946, edition of 250, pub. in 1948 by Associated American Artists; signed Asa Cheffetz" in pencil l.r., accompanied by an original label from AAA.


Border Country (Vermont)
1896-1965, American

Wood engraving, image size 4 3/8 x 9 inches, c. 1944, cat. Springfield-67, pencil signed, accompanied by original AAA label


Rural Schoolhouse (Vermont)
1896-1965, American

Wood engraving, image size 5 3/4 x 9 inches, c. 1946, cat. Springfield-79, pencil signed, accompanied by original AAA label


Summertide (Vermont)
1896-1965, American

Wood engraving, image size 4 3/4 x 9 inches, c. 1946, cat. Springfield-80, pencil signed, accompanied by original AAA label


Farm Buildings
1896-1965, American

Wood engraving, image size 4 5/8 x 9 inches, c. 1945, cat. Springfield-76, pencil signed, accompanied by original AAA label. The gallery has more than one impression of this print.


Summer Sabbath (Vermont)
1896-1965, American

Wood engraving, image size 5 1/2 x 7 7/8 inches, cat. Museum of Fine Art, Springfield-77, 1946, published by Associated American Artists, pencil signed lower right. The gallery has more than one impression of this print. This view of a Vermont farm nestled among rolling hills is in many ways representative of Cheffetz's art, which often involves idyllic scenes executed with a high level of detail. Purchase Prize Winner, First Annual National Fine Print Competition.


Barns
1896-1965, American

Wood engraving, image size 4 3/8 x 5 7/8 inches, 1934, Springfield Museum 46. Signed, titled and dedicated in pencil "For Mr. and Mrs. Guy Littell, with best wishes."


Profile of a Man
1896-1965, American

Wood Engraving, image size 5 x 3 inches, unsigned early proof not found in the catalogue of the Museum of Fine Arts, Springfield, Mass.


Farm Buildings
1896-1965, American

Wood engraving, image size: 8 5/8 x 9 inches, c. 1945, cat. Springfield-76, initialed on block lower left, identified on reverse, Provenance: Museum of Fine Arts, Springfield, Mass.


Summer Sabbath (Vermont)
1896-1965, American

Wood engraving, image size 5 1/2 x 7 7/8 inches, c. 1946, cat. Springfield-77, initialed on block lower center, identified on reverse. Purchase Prize Winner First Annual National Fine Print Competition. Provenance: Museum of Fine Arts, Springfield, Mass.


Distant Haze (Essex Co., N.Y.)
1896-1965, American

Wood engraving, image size:4 5/8 x 8 1/8 inches, c. 1941, cat. Springfield-60, initialed on block lower left, identified on reverse, Provenance: Museum of Fine Arts, Springfield, Mass.


Border Country (Vermont)
1896-1965, American

Wood engraving, image size 4 3/8 x 9 inches, c. 1944, cat. Springfield-67, initialed on block lower center, identified on reverse. Provenance: Museum of Fine Arts, Springfield, Mass.


Rural Schoolhouse (Vermont)
1896-1965, American

Wood engraving, image size 5 3/4 x 9 inches, c. 1946, cat. Springfield-79, initialed on block lower right, identified on reverse. Provenance: Museum of Fine Arts, Springfield, Mass.


Down Montgomery Way (Vermont)
1896-1965, American

Wood engraving, image sizeL 4 1/4 x 7 3/8 inches, 1940, cat. Springfield-57, initialed on block lower left, identified on reverse, provenance: Museum of Fine Arts, Springfield, Mass.

Painting

A Rocky Coast
1921-, Canadian

Oil on board, 7 3/4 x 9 3/8 inches, c. 1950, signed l.r.

Print

Give Us This Day
1903-1979, American

This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art institute for several years, before becoming the artist in residence at Michigan State University. DeMartelly was known for his regionalist style, most often depicting scenes of rural American farm life.

Drawing

Castle Path
fl. 1875-1889, American

Watercolor, image size 14 x 10 1/8 inches, dated 1885 and signed Geo. C. Bell