L. C. Montgomerie
20th century, British

The Tweed
20th century, British

Plate measure 5 x 11 inches on 10 3/4 x 16 7/8 inch wove type paper. Pencil signed in the lower right. This print uses minimal lines and plate toning to suggest water and the silhouette of a coastline.

The Kyles of Sutherland
20th century, British

Plate measures 5 x 11 1/4 inches on 10 1/4 x 16 1/2 inch wove type paper. Pencil signed in the lower right, plate signed in the lower left. This simple etching has suggested distance and good plate toning.


The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.


Late Summer Bouquet
20th c., American

Color etching, image size: 9 3/4 x 7 7/8 inches, numbered 32/16, pencil signed and titled.


Summer Light
1872- c.1950, American

This watercolor of two crab apple trees by Dexter Dawes measures 12 x 16 inches and is pencil signed and dated 1948. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.