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Charles L. Courtry
1846-1897, French

The Walls of Rome
1846-1897, French

Etching after Decamps, image size 5 1/2 x 6 3/4 inches, 1883, plate signed.


Christ on the Cross
1846-1897, French

Etching, image size 8 7/8 x 7 1/4 inches, plate signed l.r. "Ch. Courtry - sc.", after a painting by Delacroix done in 1846.


The Good Samaritan
1846-1897, French

Etching, image size: 8 7/8 x 7 1/4 inches, plate size: 10 13/16 x 9 inches, plate signed lower right, after Decamps.


The Thirsty Cavalier
1846-1897, French

Etching after F.E. Menzel, image size: 8 x 11 1/2 inches, 1883, blind stamped: "WD",


Normandy Pastoral
1846-1897, French

Etching, image size 10 x 14 7/8 inches, pencil signed


Sonnant La Sortie De L'eau
1846-1897, French

Etching after Tavernier, 1893, 9 5/8 x 12 in, plate signed


Portrait Of J. L. Meissonier
1846-1897, French

1884, 11x9 1/2, plate signed


Boy With Cattle
1846-1897, French

Etching after Troyon, etching, image size: 6 3/4 x 9, plate signed lower right

Painting

Autumn Woods
1848-1923, American

A superb autumn landscape by New Hampshire artist William Preston Phelps, this painting measures 20 x 30 inches, painted with oils on board, c. 1900. It is signed "W P Phelps" in a tasteful modern frame. Known as the "Painter of Monadnock", Phelps lived most of his life in Dublin, NH, with the exception of several years he spent studying art in Europe. He painted many scenes of the area landscape of farms, fields and forests, most of which were set against the backdrop of the majestic Mount Monadnock.

Print

Ancien Cimetiere
20th C., American

Wood Engraving, image size 8 3/4 x 16 1/2 inches, 1968, edition of 50, pencil signed l.r. "Bernard Brussel-Smith", titled l.c. "Ancien Cimetiere", plate signed l.l. "Brussel-Smith", Teller Gallery # 49.

Drawing

Edge of the Field
1872- c.1950, American

This landscape drawing by Dexter Dawes measures 18 1/2 x 24 1/2 inches and is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club.