Charles F. Daubigny
1817-1878, French

Le Gue
1817-1878, French

Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.


The Large Sheepfold
1817-1878, French

Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.


Valley of the Arques
1817-1878, French

Etching after Daubigny, image size: 3 11/16 x 6 1/2 inches, plate size: 5 x 7 3/4 inches, inscribed "E. Salmon a.q.f." lower left


Pommiers a Auvers
1817-1878, French

Etching, in plate l.l.: "Daubigny, del et sc", image size 5 5/8 x 9 1/4",


Soleil Couchant
1817-1878, French

Etching,D92,as published in Gazette Des Beaux Arts,4 5/8X7 1/4",platesigned

Painting

House in the Pines
1861-1936, American

Oil on board, 15 x 18 in, unsigned, from the collection of the Fuller Museum of Art, Brockton, Massachusetts. (on loan)

Print

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a fine gilt frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

Drawing

Christmas Card 1934
1872- c.1950, American

Ink and colored pencil drawing, 1934, image size 7 3/4 x 4 3/4 inches.