Leon Louis Dolice
1892-1960, American

Tree
1892-1960, American

Etching, image size 6 1/4 x 6 3/4 inches, p/s


New York Monument at Night
1892-1960, American

Etching,aquatint,1924, image size 10 3/8X7 1/4in. pencil signed and dedicated


Manhattan Nights
1892-1960, American

Etching,aquatint,10 5/8X6",pencil signed,image size,10 5/8X6"


Wall Street Trinity Church
1892-1960, American

Etching,1924, image size:13 1/4X7 1/4",pencil signed


Washington Square, N.Y.
1892-1960, American

Etching, image size: 7 3/4X10 3/4",pencil signed

Painting

Dawn on the Seashore

This is an atmospheric 19th Century French painting attributed to Maxime Emile Louis Maufra (1861-1918). Oil on canvas, 8 3/4 x 14 inches, c. 1890s, unsigned, with a label on the back identifying the painting as Maufra's, framed. There is also a stamp on the back of the canvas "Blanchet 20 Rue Saint [Benoit?] Paris", a well known 19th century artist supply store. Although we cannot be certain of the artist, this is a well painted seascape with a subtle palette and lovely sense of light and atmosphere, and certainly appears to have been done by a very competent hand.

Print

Low Tide, Bay of Fundy
1846-1938, American

This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.

Drawing

Landscape Sketch
1872- c.1950, American

Dexter Dawes drawing of Mt. Monadnock with trees in the foreground. Also, start of sketch on reverse.