Harold Kerr Eby
1889-1946, American

Artillery Train
1889-1946, American

This is an evocative original etching by Kerr Eby, inspired by his experiences in Europe during WWI. The image size is 4 7/8 x 13 3/8 inches, published in 1919 in an edition of 100, cat: Giardina-30, pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself. Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. Eby was known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI.


Island Winter
1889-1946, American

This is a remarkable original etching of a New England winter by Kerr Eby. The image size is 9 1/2 x 15 1/4 inches, 1941, edition of about 100, cat: Giardina-204, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This etching features a richly inked impression with subtle plate tone, printed on a medium weight watermarked wove type paper.


Driftway, Moonlight
1889-1946, American

This remarkable etching is one of Eby's finest prints, and is featured on the front cover of the Giardina catalog. The image size is 8 5/8 x 15 5/8 inches, published in an edition of 100 in 1931, cat: Giardina-168, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. This image is one of several landscapes Eby made depicting his house in Westport, Connecticut and with it's rich tonal range and vivid contrasts, it is by far one of his most impressive images.


An Agawa Reach
1889-1946, American

This etching by Kerr Eby measures 11 3/8 x 11 3/4 inches and is pencil signed and editioned, 1932, cat. Giardina-170, depicting the Agawa River or Lake in an area in the Algoma District of Ontario, Canada. (M)


Rough Going
1889-1946, American

An evocative image of WWI by American artist Harold Kerr Eby, this etching with drypoint measures 8 1/4 x 11 3/4 inches, pencil signed in an edition of 60, second published state, 1919, Giardina cat: 29. Eby's WWI experiences in France lead to this richly inked image of infantry marching through the results of war.


New England Winter
1889-1946, American

A delicately rendered original etching, this image measures 7 x 13 3/4 inches, published in 1930 in an edition of 90, cat: Giardina-153, pencil signed "Kerr Eby imp", the 'imp' indicating the Eby printed this impresssion himself. A rich impression with beautiful plate tone, a weak section of the plate mark on the upper left side of the image.


Salt Marshes
1889-1946, American

This is an atmospheric original etching by American artist Kerr Eby. The image size is 9 5/8 x 13 1/4 inches, published in 1930 in an edition of 90, cat" Giardina-156, pencil signed "Kerr Eby imp", the 'imp' indicating that Eby printed this impression himself. A very rich impression with beautiful plate tone, printed on a medium weight laid type paper with ample margins.


Driftway, Evening
1889-1946, American

Etching, image size is 8 1/4X15 3/8 inches, created and printed in 1933 in an edition of 100. Pencil signed and indicated with the "imp" which means this proof was printed by the artist. Original label from Frederick Keppel in New York. Kerr Eby was a member of the Cos Cob Art Colony in Connecticut. Driftway was the name of Eby's home in Westport, Conn.


Early Morning, Brittany
1889-1946, American

Etching, 8 7/8 x 12 5/8 inches, ed. 90, 1930, pencil signed lower right. This print was inspired by Eby's visit to France and Great Britain in 1924 and '25.


The Lobsterman
1889-1946, American

Etching, image size: 11 3/4 x 12 3/4 inches, 1930, ed. 90, cat. Giardina-157, pencil signed lower right

Painting

Cabin by the Lake
1854-1927, American

This is a luminous scene of a cabin by a still lake with the glowing colors of the setting sun lingering in the sky, casting blue shadows over summer landscape. Pastel on paper, sight size 12 3/4 x 17 inches, c. 1900, signed in the lower right corner. This pastel comes tastefully displayed in a period maple frame. Clarence Braley was a Massachusetts artist who specialized in pastel and watercolor landscapes. He was a member of the New Bedford Art Association and exhibited his work at the Boston Art Club and the Art Institute of Chicago. (M)

Print

Portrait of Charles I
1721-1792, British

Engraving, "very rare proof before all lettering", 1770, after a portrait by Anthony Van Dyck, provenance: Hermann Wunderlich & Co,, New York #15463, image size 19 1/2 x 13 1/2 inches

Drawing

Giant Pine
1872- c.1950, American

This fine pencil drawing of a giant pine tree with its wooded surroundings, by local Marlboro, NH artist, Dexter Dawes measures 15 x 11 inches and is sketched on a medium weight, gray paper. Dawes summered in southern NH, with its' majestic views of Mt. Monadnock where many of his inspirations for his drawings, paintings and lithographs came from.