Fredrick W. Freer
1849-1930, American

Honey Suckle
1849-1930, American

Etchinh, Plate dated 1877, image size 7x9 inches, plate signed

Painting

The Rocky Cove
1877-1967, American

Watercolor on paper, sight size 11 x 14 3/8 inches, c. 1930s, signed lower left, framed. Carroll Bill was an artist and architect, studying at Harvard Architectural School. He was a member of many artist's associations, including the Boston Architectural Club, the Boston Society of Architects, the Boston Society of Watercolor Painters, the New York Society of Watercolor Painters, the New York Watercolor Club and the Springfield Art League. (M)

Print

Low Tide, Bay of Fundy
1846-1938, American

This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.