Georges Garen
1854-?, French

Village Scene
1854-?, French

after Corot, etching, 13 1/4x19 3/4, pencil signed


Cows In The Stream
1854-?, French

after Corot, etching, 13 1/4x19 1/4, pencil signed


The Picnic
1854-?, French

after Corot,etching, 15x19 3/4, pencil signed

Painting

Path to the Shed
1835-1913, American

A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.

Print

Breaking Up of the Agamemnon, #1
1818-1910, British

Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.

Drawing

Shaded View
1872- c.1950, American

This pencil drawing by Dexter Dawes measures 8 3/8 x 11 inches, done on a gray, medium weight drawing paper. Dawes summered in Marlboro, NH, with its majestic views of Mt. Monadnock, where many of his inspirations for his drawings, paintings and lithographs came from.