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Sir Francis Seymour Haden
1818-1910, British

Cowdray Castle with Cows
1818-1910, British

A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.


A Water Meadow
1818-1910, British

An atmospheric early proof by Sir Francis Seymour Haden, this scene is of the river Test outside the town of Romsey, near Southampton Bay. The image size is 5 7/8 x 8 7/8 inches, published in 1859, state II/IV, cat: Schneiderman-23. This original etching features a very rich impression with beautiful plate tone, printed on a laid type paper.


Out of Study Window
1818-1910, British

Etching, image size 4 1/8 x 10 1/8 inches, plate signed l.r. "S. Haden" and titled l.l. "Out of Study Window H", pencil signed l.r. "Seymore Haden".


The Twins- Sarah and Anne Haden
1818-1910, British

Etching, image size 9 1/2 x 6 inches, 1885, trial proof, first state, cat: Schneiderman-215, pencil signed and inscribed "trial." Repaired tear in the lower portion of the image.


Breaking Up of the Agamemnon, #1
1818-1910, British

Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.


Windsor Castle
1818-1910, British

Etching, image size 13 x 17 5/16 inches, S186, 1878, an early proof, pencil signed "Seymour Haden" l.r., plate signed "Seymour Haden 1878" l.l., State VI/XII


Old Willesley House
1818-1910, British

Etching, image size 6 3/4 x 9 7/8 inches, 1865, Schneiderman 92 iii/iv, Harrington 102, pencil signed


Sunset on the Thames
1818-1910, British

Etching with drypoint, image size 5 1/4 x 8 3/8 inches, Schneiderman 83, pencil signed, fourth state of seven. One of Haden's more atmospheric views of the Thames, as seen from near his house in Chelsea.


The Two Sheep
1818-1910, British

Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed


The Herd
1818-1910, British

Etching, image size 5 1/2 x 8 1/4 inches, 1868, Harrington 128, Schneiderman 118, pencil signed, inscribed at the bottom of the sheet "1st state." Provenance: Baldwin-Wallace College.


Dusty Millers
1818-1910, British

Etching and drypoint on copper, image size: 5 1/2 x 8 5/16 inches, dated 1877, State V, cat. Scheniderman-172, pencil signed lower right. One of Haden's interests apart from being a Surgeon and printmaker was fishing. He created a number of outstanding scenes based on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known fishing hole. Provenance: Baldwin-Wallace College.


Wareham Bridge
1818-1910, British

Drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed lower right


House of the Smith
1818-1910, British

Etching, image size: 4 1/2 x 6 inches, 1864, cat. Schneiderman 58, pencil signed


Dundrum River
1818-1910, British

Etching, 46B, second state, image size 6 5 1/2 inches, unsigned


Ye Compleat Angler
1818-1910, British

Etching, 1877, image size 5 1/2 x 8 1/16 inches, cat. S161, plate signed


A Castle,County Wicklow
1818-1910, British

Etching and drypoint,4 1/16 X 5 7/16,IV state,1865,S-109,pencil signed


The Holly Field
1818-1910, British

Etching and drypoint,1st state,2X4 7/8",pencil signed


Twickenham Church
1818-1910, British

Etching with drypoint, image size 5 7/16 x 8 7/16 inches, 1865, plate signed, cat. S-98. Twickenham is in Middlesex on the North Bank of the Thames. The gallery has several impressions of this print, one of which is framed.


A Lancashire River
1818-1910, British

Etching,S.204,1881,11X15/13/16,This was a well-known salmon pool on the Ribble. pencil signed


Twickenham Church
1818-1910, British

Etching with drypoint, 5 7/16 x 8 7/16 inches, 1865, cat. S-98, state III, pencil signed. Twickenham is in Middlesex on the North Bank of the Thames.


Breaking up of the Agamemnon II
1818-1910, British

Mezzotint, 1880, 9 3/4 x 18 3/8 inches, S198, pencil signed, framed


Shere Mill Pond No. 2
1818-1910, British

Etching/drypoint, 1860, signed in pencil, 7 x 13 1/8 inches


The Village Ford
1818-1910, British

Etching, 1881, 3rd state, 7 X 10 1/4", pencil signed, framed

Painting

Whitby, Yorkshire
1803-1840, British

Oil on canvas, 12 1/2 x 15 5/8 inches, c. 1830, signed "Chambers- Whitby" on the back of the sinking ship. A dramatic scene of a shipwreck in the stormy seas. Chambers was a painter from Whitby, Yorkshire, who specialized in seascapes. He was the son of a fisherman, and as a young boy served as a cabin boy on a merchant ship. He later spent some time in London as a set painter for the Pavillion Theater. Chambers was best known for his paintings of ships and naval battles, many of which are in museums and galleries in Britain.

Print

Blue Valley Fox Hunt
1903-1979, American

Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed, framed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

Drawing

Meadow Sketch
1872- c.1950, American

Very nice sketch of a tree, standing alone in a meadow, with clouds in the background. This Dexter Dawes pencil sketch is dated 1913 and measures 6 x 9 inches and has sketching notes in the artists' hand on the lower margin.