Sir Francis Seymour Haden
1818-1910, British

Cowdray Castle with Cows
1818-1910, British

A fine etching in sepia ink by Sir Francis Seymour Haden, one of the most important British etchers of the 19th century. This image measures 6 x 8 7/8 inches, 1892, state III/III, cat: Schneiderman-207, pencil signed. A richly inked impression with very nice plate tone.


Out of Study Window
1818-1910, British

Etching, image size 4 1/8 x 10 1/8 inches, plate signed l.r. "S. Haden" and titled l.l. "Out of Study Window H", pencil signed l.r. "Seymore Haden".


The Twins- Sarah and Anne Haden
1818-1910, British

Etching, image size 9 1/2 x 6 inches, 1885, trial proof, first state, cat: Schneiderman-215, pencil signed and inscribed "trial." Repaired tear in the lower portion of the image.


Breaking Up of the Agamemnon, #1
1818-1910, British

Etching, image size 7 5/8 x 16 1/4 inches, 1870, state IX/XI, cat: Schneiderman-133, pencil signed. According to Schneiderman, the Agamemnon was one of the last wooden hulled warships built in England, shown here moored on the Thames, ready for demolition. Haden was commissioned to by P.G. Hamerton to create an etching of the old ship for the newly founded art magazine 'The Portfolio.'This remarkable image became one Haden's most successful prints.


Sunset on the Thames
1818-1910, British

Etching with drypoint, image size 5 1/4 x 8 3/8 inches, Schneiderman 83, pencil signed, fourth state of seven. One of Haden's more atmospheric views of the Thames, as seen from near his house in Chelsea.


The Two Sheep
1818-1910, British

Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed


Dusty Millers
1818-1910, British

Etching and drypoint on copper, image size: 5 1/2 x 8 5/16 inches, dated 1877, State V, cat. Scheniderman-172, pencil signed lower right. One of Haden's interests apart from being a Surgeon and printmaker was fishing. He created a number of outstanding scenes based on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known fishing hole. Provenance: Baldwin-Wallace College.


Wareham Bridge
1818-1910, British

Drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed lower right


House of the Smith
1818-1910, British

Etching, image size: 4 1/2 x 6 inches, 1864, cat. Schneiderman 58, pencil signed


Dundrum River
1818-1910, British

Etching, 46B, second state, image size 6 5 1/2 inches, unsigned


Ye Compleat Angler
1818-1910, British

Etching, 1877, image size 5 1/2 x 8 1/16 inches, cat. S161, plate signed


The Holly Field
1818-1910, British

Etching and drypoint,1st state,2X4 7/8",pencil signed


Twickenham Church
1818-1910, British

Etching with drypoint, image size 5 7/16 x 8 7/16 inches, 1865, plate signed, cat. S-98. Twickenham is in Middlesex on the North Bank of the Thames. The gallery has several impressions of this print, one of which is framed.


Twickenham Church
1818-1910, British

Etching with drypoint, 5 7/16 x 8 7/16 inches, 1865, cat. S-98, state III, pencil signed. Twickenham is in Middlesex on the North Bank of the Thames.


Breaking up of the Agamemnon II
1818-1910, British

Mezzotint, 1880, 9 3/4 x 18 3/8 inches, S198, pencil signed, framed


Shere Mill Pond No. 2
1818-1910, British

Etching/drypoint, 1860, signed in pencil, 7 x 13 1/8 inches

Painting

Portrait of Miss Davenport
1856-1939, German

Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/M√ľnchen" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Print

Beach At Marblehead
1846-1938, American

etching, 3 1/2x 5 1/2,plate signed

Drawing

The Blacksmith Shop
1875-1939, American

This charcoal drawing by John(Jack)Fenton measures 10 x 14 inches and is pencil signed on the lower right corner. In this image, Fenton depicts local characters gathering at the blacksmith shop to catch up on daily events. Fenton was a native of New York and studied at Columbia University and the New York School of Art. He became a painter, illustrator and teacher with his works exhibited at the Art Institute of Chicago.