End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."


Village Street
1889-1971, New England

An atmospheric New England image, this wood engraving is 6 1/4 x 9 1/2 inches, published in 1936 in an edition of 80 impressions, cat: BPL-208, pencil signed and numbered below the image, titled in the lower margin. Nason was a primarily self-taught printmaker, known for his incredibly detailed wood engravings of the New England landscape. He became known as the "poet-engraver of New England" after creating a series of wood engravings illustrating the poems of Robert Burns.


Nude Study, Reclining
1893-1986, American

Drawing, image size 8 3/4 x 11 5/8 inches, pencil signed