Arthur Heintzelman
1891-1965, American

Portuguese Fisherman's Daughter
1891-1965, American

Etching, image size 11 7/8 x 8 7/8 inches, pencil signed l.r. "Arthur Wm. Heintzelman" and "Ed 70" l.l. "Portuguese Fisherman's Daughter" titled in pencil on lower left margin.


Lancaster County Farmer
1891-1965, American

Etching, image size 11 3/4 x 8 1/2 inches, 1945, cat: Smith-268, printed on watermarked Rives paper, blindstamp from the Society of Print Connoisseurs in l.l. margin, pencil signed.


Luigi Domenico
1891-1965, American

Etching, image size 9 1/8 x 7 3/8 inches, 1931, edition of 125, cat: Smith-166, pencil signed.


Sion Suisse (with  book)
1891-1965, American

Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.


Famille Suisse
1891-1965, American

Drypoint etching, image size 9 7/8 x 7 1/4 inches, 1926, edition of 80, cat. Smith-130, pencil signed lower right. A beautiful etching in excellent condition. Provenance: Baldwin-Wallace College.


Convalescence
1891-1965, American

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.


Ma Petite Voisine
1891-1965, American

Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right


Guitar Player
1891-1965, American

Etching, image size 8 x 6 1/2 inches, 1917, cat. Smith-31, numbered 7/50, pencil signed lower left.


Bambino [no. 2]
1891-1965, American

Lithograph, image size: 7 x 5 1/2 inches, 1930, cat. Smith-157, ed. 24, pencil signed lower left.


Hors Service
1891-1965, American

Etching, image size 5 1/2 x 3 3/4 inches, 1923, cat. Smith-86, pencil signed lower right, Keppel label on reverse


Head Study No. 2
1891-1965, American

Etching, image size: 6 5/8 x 5 7/8 inches, 1935, edition of 100, cat. S-206, pencil signed lower right


Maternite
1891-1965, American

Drypoint Etching, image size: 8 1/2 x 6 1/2 inches, 4th state, 1926, ed. 60, cat. Guito-116, pencil signed lower right


Adolphe Appia, Jeune Artiste Philosophe
1891-1965, American

Drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith 92, inscribed "ED 100" in pencil on verso, pencil signed


Le Chevrier
1891-1965, American

Etching with drypoint, 1926, ed. 80, image size: 9 3/8 x 7 3/8 inches, cat. Smith 124, pencil signed


Colonial Home Life
1891-1965, American

Etching, 1932, image size: 8 3/4 x 11 3/4 inches, pencil signed


Cafe Montmartrois
1891-1965, American

Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.


Chanteur Populaire
1891-1965, American

Etching,1926, image size: 11X8 inches, BPL.119, pencil signed


L'Accordioniste
1891-1965, American

Etching, 1929, Bpl.141, image size 5 1/8 x 6 1/2 inches, pencil signed


Amish Elder
1891-1965, American

Drypoint etching, image size 9 3/4 x 7 3/4 inches, 1940, edition of 300, pencil signed


Amish Boy
1891-1965, American

Dry Point Etching, 1946, Bpl.271, image size 117/8 x 8 7/8 inches, pencil signed


Reveuse
1891-1965, American

Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed


Portrait Study of an old woman
1891-1965, American

Drypoint,1937, image size: 11 7/8X8 7/8 inches,edition 125,Bpl 225pencil signed


Vigneron
1891-1965, American

Etching, 1933, 2nd state,1 of 2 impressions,image size: 12X9 5/8 inches, Published edition 110, Bpl 186, pencil signed,


Scene de Music Hall
1891-1965, American

Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed


Planche Aux Cinq Croquis
1891-1965, American

Etching, 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed


Youth And Old Age
1891-1965, American

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed


A Donkey Cart in Montmartre
1891-1965, American

Etching,1923, Bpl.92, image size:9 1/2X6 1/2 inches, edition of 300, pencil signed


Tondeur Des Chevres
1891-1965, American

Etching,1926,image size:4 3/4X4 inches,ed.100,Bpl 117,pencil signed


Paysanne Endormie
1891-1965, American

Drypoint, 1926, ed. 80, image size 7 x 9 1/2 inches, Smith 127, pencil signed


Le Bibliophile
1891-1965, American

Etching, image size 9 5/8 x 7 3/4 inches, edition of 90, Bpl 147, pencil signed. The gallery has two impressions of this etching.


Amish Elder
1891-1965, American

Etching, image size 3 x 2 1/2 inches, 1945, ed. approx 200, Bpl 269, pencil signed


Appia
1891-1965, American

Etching, image size 3 1/2 x 2 3/4 inches, ed. 60, Blp 179, pencil signed

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Court Santa Paula,Seville
1869-1945, American

Etching,15/30,Image size 7 5/8X10",pencil signed and editioned

Drawing

Shaded View
1872- c.1950, American

This pencil drawing by Dexter Dawes measures 8 3/8 x 11 inches, done on a gray, medium weight drawing paper. Dawes summered in Marlboro, NH, with its majestic views of Mt. Monadnock, where many of his inspirations for his drawings, paintings and lithographs came from.