Arthur Heintzelman
1891-1965, American

Mendiant Italien
1891-1965, American

Drypoint etching from 1927. Edition of 80. Plate signed in the top left, pencil signed in the bottom right. Inscription on bottom left of plate reads "Carrara '27". Plate measures 9 3/4 x 7 3/4 inches on 14 x 11 1/4 inch laid type paper. Catalog: Smith 136.


La Femme à la Mêche Tombante
1891-1965, American

Drypoint from 1929. Plate size 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.


Portuguese Fisherman's Daughter
1891-1965, American

Etching, image size 11 7/8 x 8 7/8 inches, pencil signed l.r. "Arthur Wm. Heintzelman" and "Ed 70" l.l. "Portuguese Fisherman's Daughter" titled in pencil on lower left margin.


Lancaster County Farmer
1891-1965, American

Etching, image size 11 3/4 x 8 1/2 inches, 1945, cat: Smith-268, printed on watermarked Rives paper, blindstamp from the Society of Print Connoisseurs in l.l. margin, pencil signed.


Luigi Domenico
1891-1965, American

Etching, image size 9 1/8 x 7 3/8 inches, 1931, edition of 125, cat: Smith-166, pencil signed.


Sion Suisse (with  book)
1891-1965, American

Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.


Famille Suisse
1891-1965, American

Drypoint etching, image size 9 7/8 x 7 1/4 inches, 1926, edition of 80, cat. Smith-130, pencil signed lower right. A beautiful etching in excellent condition. Provenance: Baldwin-Wallace College.


Convalescence
1891-1965, American

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.


Ma Petite Voisine
1891-1965, American

Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right


Guitar Player
1891-1965, American

Etching, image size 8 x 6 1/2 inches, 1917, cat. Smith-31, numbered 7/50, pencil signed lower left.


Bambino [no. 2]
1891-1965, American

Lithograph, image size: 7 x 5 1/2 inches, 1930, cat. Smith-157, ed. 24, pencil signed lower left.


Hors Service
1891-1965, American

Etching, image size 5 1/2 x 3 3/4 inches, 1923, cat. Smith-86, pencil signed lower right, Keppel label on reverse


Head Study No. 2
1891-1965, American

Etching, image size: 6 5/8 x 5 7/8 inches, 1935, edition of 100, cat. S-206, pencil signed lower right


Adolphe Appia, Jeune Artiste Philosophe
1891-1965, American

Drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith 92, inscribed "ED 100" in pencil on verso, pencil signed


Le Chevrier
1891-1965, American

Etching with drypoint, 1926, ed. 80, image size: 9 3/8 x 7 3/8 inches, cat. Smith 124, pencil signed


Colonial Home Life
1891-1965, American

Etching, 1932, image size: 8 3/4 x 11 3/4 inches, pencil signed


Cafe Montmartrois
1891-1965, American

Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.


Chanteur Populaire
1891-1965, American

Etching,1926, image size: 11X8 inches, BPL.119, pencil signed


L'Accordioniste
1891-1965, American

Etching, 1929, Bpl.141, image size 5 1/8 x 6 1/2 inches, pencil signed


Amish Elder
1891-1965, American

Drypoint etching, image size 9 3/4 x 7 3/4 inches, 1940, edition of 300, pencil signed


Amish Boy
1891-1965, American

Dry Point Etching, 1946, Bpl.271, image size 117/8 x 8 7/8 inches, pencil signed


Reveuse
1891-1965, American

Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed


Vigneron
1891-1965, American

Etching, 1933, 2nd state,1 of 2 impressions,image size: 12X9 5/8 inches, Published edition 110, Bpl 186, pencil signed,


Scene de Music Hall
1891-1965, American

Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed


Planche Aux Cinq Croquis
1891-1965, American

Etching, 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed


Youth And Old Age
1891-1965, American

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed


A Donkey Cart in Montmartre
1891-1965, American

Etching,1923, Bpl.92, image size:9 1/2X6 1/2 inches, edition of 300, pencil signed


Tondeur Des Chevres
1891-1965, American

Etching,1926,image size:4 3/4X4 inches,ed.100,Bpl 117,pencil signed


Paysanne Endormie
1891-1965, American

Drypoint, 1926, ed. 80, image size 7 x 9 1/2 inches, Smith 127, pencil signed


Le Bibliophile
1891-1965, American

Etching, image size 9 5/8 x 7 3/4 inches, edition of 90, Bpl 147, pencil signed. The gallery has two impressions of this etching.


Amish Elder
1891-1965, American

Etching, image size 3 x 2 1/2 inches, 1945, ed. approx 200, Bpl 269, pencil signed

Painting

The Old Mill
1833-1894, American

This is a lush, finely detailed landscape by Henry W. Kemper, painted in 1865, signed and dated on the lower left corner. Oil on canvas, 16 x 14 inches, in the original period gilt frame. Kemper paints a very peaceful image of this long forgotten mill. In this verdant summer scene, a traveler approaches the mill from the darkness of the forest just as the sun peeks through passing storm clouds.

Print

The Garden of Christ's College, Cambridge
1849-1911, French

Etching, image size 8 1/2 x 6 3/8 inches, 1880, plate signed and inscribed "Cambridge 1880"

Drawing

Seated Mother and Child
1863-1946, American

Brown chalk drawing C. 1900. Signed and dated in chalk in the lower left. On 12 1/4 x 9 1/2 inch medium weight laid type paper. The artist has accurately captured the subject with very few lines.