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Arthur Heintzelman
1891-1965, American

Portuguese Fisherman's Daughter
1891-1965, American

Etching, image size 11 7/8 x 8 7/8 inches, pencil signed l.r. "Arthur Wm. Heintzelman" and "Ed 70" l.l. "Portuguese Fisherman's Daughter" titled in pencil on lower left margin.


Lancaster County Farmer
1891-1965, American

Etching, image size 11 3/4 x 8 1/2 inches, 1945, cat: Smith-268, printed on watermarked Rives paper, blindstamp from the Society of Print Connoisseurs in l.l. margin, pencil signed.


Luigi Domenico
1891-1965, American

Etching, image size 9 1/8 x 7 3/8 inches, 1931, edition of 125, cat: Smith-166, pencil signed.


Sion Suisse (with  book)
1891-1965, American

Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.


Portrait of Dr. Albert Schweitzer
1891-1965, American

Etching, image size 11 3/4 x 9 3/4 inches, cat. Smith 286, edition of 135, pencil signed.


Famille Suisse
1891-1965, American

Drypoint etching, image size 9 7/8 x 7 1/4 inches, 1926, edition of 80, cat. Smith-130, pencil signed lower right. A beautiful etching in excellent condition. Provenance: Baldwin-Wallace College.


Convalescence
1891-1965, American

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.


Ma Petite Voisine
1891-1965, American

Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right


Guitar Player
1891-1965, American

Etching, image size 8 x 6 1/2 inches, 1917, cat. Smith-31, numbered 7/50, pencil signed lower left.


Bambino [no. 2]
1891-1965, American

Lithograph, image size: 7 x 5 1/2 inches, 1930, cat. Smith-157, ed. 24, pencil signed lower left.


Hors Service
1891-1965, American

Etching, image size 5 1/2 x 3 3/4 inches, 1923, cat. Smith-86, pencil signed lower right, Keppel label on reverse


Head Study No. 2
1891-1965, American

Etching, image size: 6 5/8 x 5 7/8 inches, 1935, edition of 100, cat. S-206, pencil signed lower right


Maternite
1891-1965, American

Drypoint Etching, image size: 8 1/2 x 6 1/2 inches, 4th state, 1926, ed. 60, cat. Guito-116, pencil signed lower right


Adolphe Appia, Jeune Artiste Philosophe
1891-1965, American

Drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith 92, inscribed "ED 100" in pencil on verso, pencil signed


Le Chevrier
1891-1965, American

Etching with drypoint, 1926, ed. 80, image size: 9 3/8 x 7 3/8 inches, cat. Smith 124, pencil signed


Colonial Home Life
1891-1965, American

Etching, 1932, image size: 8 3/4 x 11 3/4 inches, pencil signed


Cafe Montmartrois
1891-1965, American

Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.


Chanteur Populaire
1891-1965, American

Etching,1926, image size: 11X8 inches, BPL.119, pencil signed


L'Accordioniste
1891-1965, American

Etching, 1929, Bpl.141, image size 5 1/8 x 6 1/2 inches, pencil signed


Amish Elder
1891-1965, American

Drypoint etching, image size 9 3/4 x 7 3/4 inches, 1940, edition of 300, pencil signed


Amish Boy
1891-1965, American

Dry Point Etching, 1946, Bpl.271, image size 117/8 x 8 7/8 inches, pencil signed


Reveuse
1891-1965, American

Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed


Portrait Study of an old woman
1891-1965, American

Drypoint,1937, image size: 11 7/8X8 7/8 inches,edition 125,Bpl 225pencil signed


Vigneron
1891-1965, American

Etching, 1933, 2nd state,1 of 2 impressions,image size: 12X9 5/8 inches, Published edition 110, Bpl 186, pencil signed,


Scene de Music Hall
1891-1965, American

Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed


Planche Aux Cinq Croquis
1891-1965, American

Etching, 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed


Youth And Old Age
1891-1965, American

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed


A Donkey Cart in Montmartre
1891-1965, American

Etching,1923, Bpl.92, image size:9 1/2X6 1/2 inches, edition of 300, pencil signed


Tondeur Des Chevres
1891-1965, American

Etching,1926,image size:4 3/4X4 inches,ed.100,Bpl 117,pencil signed


Paysanne Endormie
1891-1965, American

Drypoint, 1926, ed. 80, image size 7 x 9 1/2 inches, Smith 127, pencil signed


Le Bibliophile
1891-1965, American

Etching, image size 9 5/8 x 7 3/4 inches, edition of 90, Bpl 147, pencil signed. The gallery has two impressions of this etching.


Amish Elder
1891-1965, American

Etching, image size 3 x 2 1/2 inches, 1945, ed. approx 200, Bpl 269, pencil signed


Appia
1891-1965, American

Etching, image size 3 1/2 x 2 3/4 inches, ed. 60, Blp 179, pencil signed

Painting

Petrean Place
1907-1982, British/American

This collage by Nora Unwin measures 15 1/2 x 19 1/2 inches and is matted and framed. Created in 1972, Unwin gives the viewer a look past a rocky seawall to the water's distant horizon line. Her use of cloth, textured paper, glue and colored ink skillfully adhered to a painted background was one of her favorite mediums to display her genius, giving the viewer this three-dimensional effect. Signed and dated in the lower right corner.

Print

The Connoisseurs
1859-1921, Scottish

Etching/drypoint, signed by both artist and printer David Strang, 8 3/4 x 12 inches, 1920

Drawing

Dover Market
1915-2010, Lithuanian-American

This pencil drawing by Jack Levine measures 5 1/2 x 5 inches. It is pencil signed on the lower right. Levine was best known for his satires on modern life and political corruption. Born in South Boston into a large family, his drawing abilities were apparent at an young age. At 14 he entered a painting program at Harvard and a few years later was employed in the Works Progress Administration. His lower class childhood was often a subject of his paintings and he became known for "telling it like it is".