Samuel John Egbert Jones
1820-1845, Active, British

Incredible British Tonalist Landscape
1820-1845, Active, British

Oil on canvas, 16 x 24 inches, signed and dated 1851 lower right. Although initially known for his sporting scenes his work really excels in his atmospheric landscapes. The powerful light of the sunset reflecting off the dark, rugged landscape suggests qualities similar to Joseph M.W. Turner, the father of British Romanticism. The human in this scene is of small consequence compared to the majestic beauty surrounding her. Jones exhibited work at the British Institute, The Royal Academy and the Royal Society of British Artists.

Painting

Walden
1870-1959, American

Watercolor, image size 9 1/8 x 5 1/2 inches, signed l.r. "J. Watson Davis", publishers remarks are below image in pencil(not seen) and are taken from Henry David Thoreau's book "Walden" from the chapter "The Bean field" and read "I cherish them, I hoe them (early and late), I have an eye to them (and this is my) days work".

Print

Gloucester Fishermen
1875-1962, American

This is a rare original etching by American marine artist Gordon Grant. The image size is 7 7/8 x 9 3/4 inches, published c. 1940, pencil signed. Grant was well known for his images of Gloucester and the North Shore of Massachusetts, but worked primarily in lithography. This is one of his very few etchings, and features a very richly inked impression with beautiful plate tone on a fine wove type paper with ample margins.

Drawing

White Pine
1872- c.1950, American

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club